Some Songs Are Based On A True - To Life Experence

In the song, the narrator tells his lover she is free to mingle and socialize throughout the evening, but to make sure to save him one dance at the end of the night. The song is likely based on the personal experience of songwriter Pomus, who had polio and used crutches to get around and could not dance.[4] His wife, however, was a Broadway actress and dancer. The song gives his perspective of plaintively telling his wife to have fun dancing, but reminds her who will be taking her home and "in whose arms you're gonna be."[5] The personnel for the Drifters' recording were: Bucky Pizzarelli, Allan Hanlon (guitar), Lloyd Trotman (bass), Gary Chester (drums).



This is a moving song about a man who has finally realized that his relationship with his woman is never going to work and he's tired of trying. He has decided to end it as painlessly as possible and live out the rest of his life.


This song was based on a true-to-life experience. Donna Summer was in Chasens restaurant in Los Angeles. She went to the bathroom and saw the attendant taking a nap with a small TV on. Donna startled the woman from her nap, and the woman told Donna she worked 2 jobs and was really tired. Donna thought to herself, "Wow, she really works hard for her money." Later that night while at home thinking about her, Summer wrote the song in about 20 minutes.
The bathroom attendant from Chasens was placed on the back of the album cover. The first line of the song says her name - "Onetta there in the corner stands..."


A writer named David Ritz gave Gaye the idea for this. Gaye had a large collection of pornography, to the point that many people felt he was addicted to porn. When he noticed the large collection of pornography, Ritz told Gaye he needed some "Sexual Healing," and Marvin had him write some words which became the lyrics to the song.



Miracles leader Smokey Robinson wrote this in about 20 minutes. In a 2006 interview with NPR, he explained that some songs just flowed out of him, and those were often the hits. Robinson wrote the song for another Motown artist, Barrett Strong, but Motown leader Berry Gordy convinced him to record it with his group, The Miracles, and have Robinson's wife, Claudette, sing lead. Gordy worked on the song with Robinson, which was a slower and more Bluesy number when the Miracles first recorded it. Late one night, Gordy woke Robinson up with a phone call announcing he thought up a different arrangement for the song and called the group into the studio to record it. Everybody made it to the studio except the piano player, so Gordy pounded the ivories while the tape was rolling. The hit version, which had a faster tempo and Smokey on lead, was recorded around 3am.
Robinson made up the lyrics about his mother telling him go through lots of girls in pursuit of the perfect one. His mother died when he was 10



The Isleys wrote this on the spur of the moment at a Washington, DC, concert in mid-1959. As they performed Jackie Wilson's "Lonely Teardrops," Ronald Isley ad-libbed, "WELLLLLLLLLLL... you know you make me want to SHOUT" and Rudy and O'Kelly joined in on the improvisation. The audience went wild and afterwards, RCA executive Howard Bloom suggested putting it out as their first RCA single.
The Isley Brothers did not consider this a song at first. It was just a "thing" they would do onstage and the crowd would go nuts. They knew they were onto something when Jackie Wilson, who they were opening for, started using the stop-and-go style in his show.
This song has its own dance. When The Isleys sing the "little bit softer now" part, you go a little lower, then gradually rise up for the "little bit louder now part." For the rest of the song, you just jump around and go crazy. It's an easy dance, which makes it popular at weddings, proms, and other events where many rhythmically-challenged people end up on the dance floor

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Introspection

Spotlight | Maze

  1. play Maze — 03 Feel That You're Feelin'
  2. play Maze — 04 Somebody Else's Arms
  3. play Maze — 04 Southern Girl
  4. play Maze — Can't Get Over You
  5. play Maze — Golden Time Of Day
  6. play Norman Brown — Night Drive
  7. play Norman Brown — Feeling
  8. play Norman Brown — Still
  9. play Miles Davis — miles 1
  10. play miles 2
  11. play miles 3
  12. play miles 4
  13. play miles 5
  14. play Marvin Gaye — I Met A Little Girl
  15. play Santana — 01 Singing Winds, Crying Beasts
  16. play Santana — 02 Black Magic Woman-Gypsy Queen
  17. play Mongo — 02. Afro Blue



The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).

The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. If, by chance, you know of a way to get in touch with Frankie Beverly or his management, please drop me an e-mail. It would be absolutely great to do an interview with him about his pre-Maze work. He's still playing out, most recently doing a New Year's Eve show in Atlanta.
:: Funkinsoulman ::

Power...Through Simplicity ♪♫♪

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