Old-time musical star Schyler Jarvis, now wealthy, is dying; his last act is a visionary plan for the future happiness of his son, swing bandleader Louis Jarvis, and Honey Carter, daughter of his long-lost love. But crooked lawyer Talbot has a nefarious scheme to get his hands on the Jarvis money...and it doesn't include any happiness for Louis and Honey. Plenty of swing from Louis Jordan's Tympany Five.
Western bandit Kid Rio (Marlon Brando) is betrayed by his partner, Dad Longworth (Karl Malden). Escaping from prison, Rio learns that Longworth has become a wealthy and influential lawman. Rio thirsts for revenge, but bides his time, waiting for the right moment to strike. In the meantime, Rio spitefully seduces Longworth's adopted daughter, Louisa (Pina Pellicer). After killing a man in self-defense, Rio is publicly whipped by the powerful Longworth. When Rio's old gang accidentally kills a child during another holdup, Longworth has the perfect excuse to eliminate the troublesome Rio once and for all by hanging him. But that's not what happens at all. Stripped to its fundamentals, One-Eyed Jacks is a workable Western, worthy of perhaps 90 minutes' running time. But when Marlon Brando succeeded Stanley Kubrick in the director's chair, he allowed the film's 60-day shooting schedule to stretch into six months, and delivered a finished product running in excess of four hours. The current 141-minute version of One-Eyed Jacks isn't as ponderous as some critics have claimed, but it's still too much of a good thing. While Brando the director isn't precisely in the Kubrick class, Brando the actor delivers one of his finest and most focused performances (though he is upstaged throughout by Karl Malden).
Steve Reeves' second (and last) film portrayal of Hercules is, in certain ways, better than his first. The plot this time is drawn from the legends surrounding the royal house of Thebes, which are most familiar to audiences through the Theban plays of Sophocles. The movie opens with Hercules, his new bride Iole (Sylva Koscina), and the young Ulysses (Gabriel Antonini) travelling to Thebes following the end of the quest for the Golden Fleece (depicted in the previous movie, Hercules). Their journey is interrupted when Hercules must do battle with the giant Anteus (Primo Carnera), whose strength seems to exceed his own until he realizes that Anteus is the son of the earth goddess and can't be defeated on land. On their arrival in Thebes, the trio discovers that the kingdom is in the midst of civil war -- Oedipus (Cesare Fantoni), the old king, is dying, and his two sons, Polynices and Eteocles, are contending for the throne and threatening to destroy each other and the populace. Hercules must leave Iole in the hands of one side in order to try and settle the dispute between the two would-be kings. While en route between the two armed camps, however, he is put under the spell of Omphale (Sylvia Lopez), the Queen of Lydia, who casts out his memory and takes him as a lover, with Ulysses in tow pretending to be his deaf-mute servant. Ulysses must figure out how to keep himself alive, restore Hercules' memory, get them both out of Omphale's grasp before she tires of Hercules and has him killed (as she has her previous lovers), and get them both back to Thebes before the kingdom is burned to the ground. His solution arrives in the form of his father, Laertes, and Hercules' companions from his voyage for the Golden Fleece. They all escape Omphale's clutches and arrive at Thebes as war has broken out between the two brothers and their armies. In a spectacular denouement, Hercules brings his chariot into the middle of the pitched battle, knocking down assault towers and sweeping cavalry before him to halt the battle. Peace is finally restored on a bittersweet note as the two brothers, Polynices and Eteocles, slay each other.
Duke Davis has invested all his savings to back his sweetheart, Ethel, in a road show over the old T.O.B.A. circuit, on which they have both been performers since childhood. Marshall, a New York talent scout, makes an offer to Ethel as a single and, to induce her to take it, Duke writes a fake check, made out to him, for $5000 pretending he has sold his contract with Ethel to Marshall.
When Otto Preminger was willing to release his drug-addiction drama Man With the Golden Arm without the sanction of a Production Code seal, it proved to be yet another nail in the coffin of that censorial dinosaur. Based on the novel by Nelson Algren, the film stars Frank Sinatra as Frankie Machine, expert card dealer (hence the title). Recently released from prison, Frankie is determined to set his life in order -- and that means divesting himself of his drug habit. He dreams of becoming a jazz drummer, but his greedy wife Eleanor Parker wants him to continue his lucrative gambling activities. Since Parker is confined to a wheelchair as a result of a car accident caused by Frankie, he's in no position to refuse. Only the audience knows that Parker is not crippled, but is faking her invalid status to keep Frankie under her thumb. Gambling boss Robert Strauss wants Frankie to deal at a high-stakes poker game; terrified that he's lost his touch, Frankie asks dope pusher Darren McGavin to supply him with narcotics. When McGavin discovers that Parker is not an invalid, she kills him, and Frankie (who is elsewhere at the time) is accused of the murder. He is willing to go to the cops, but he doesn't want to show up with drugs in his system. So with the help of sympathetic B-girl Kim Novak, Sinatra locks himself up and goes "cold turkey"-a still-harrowing sequence, despite the glut of "doper" films that followed in the wake of this picture. After Parker herself is killed in a suicidal fall, the path is cleared for Frankie to pursue a clean new life with Novak.
Adulthood does not begin until 24, scientists have concluded because young people are continuing their education for longer and delaying marriage and parenthood. The traditional definition for adolescence is currently between and the ages of 10 and 19, which marked the beginnings of puberty and the perceived end of biological growth. But, writing in the Lancet Child & Adolescent Health, scientists from the Royal Children’s Hospital in Melbourne argue the timings needs to be changed. They point to the fact that the brain continues to mature beyond the age of 20, and many people’s wisdom teeth do not come through until the age of 25. And people are also getting married and having children later, with the average man entering their first marriage aged 32.5 and women 30.6, an increase of eight years since the 1970s. Families have changed significantly since the 1970s Credit: Fox Photos Lead author Prof Susan Sawyer, said delays in young people leaving education, settling down and becoming parents, showed adolescence was now longer and argued that policies that support youth should be extended beyond teenage years. Countries such as New Zealand already treat children who have been in care as vulnerable until they are 25, allowing them the same rights as youngsters “Age definitions are always arbitrary,” she said, but “our current definition of adolescence is overly restricted.” “The ages of 10-24 years are a better fit with the development of adolescents nowadays.” However other academics argued that just because young people were unmarried or still in education did not mean they were not fully functioning adults. But Dr Jan Macvarish, a parenting sociologist at the University of Kent, told the BBC: “There is nothing inevitably infantilising about spending your early 20s in higher education or experimenting in the world of work. “Society should maintain the highest possible expectations of the next generation.” Prof Sawyer also admits there could be downsides to he plan, particularly if youngsters were no longer seen as responsible or capable of full engagement in society until they were 24. "Such a view would risk disenfranchising adolescents and undermines their rights to fully participate in society," she added.
Rep. Debbie Dingell (D-Mich.) was so moved by the story of Jorge Garcia, a 39-year-old man deported to Mexico this week after living most of his life in the U.S., that she plans to bring his wife Cindy Garcia as her plus-one guest to the 2018 State of the Union address.