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Posted by Edie2k2 on November 25, 2017 at 10:40pm 9 Comments

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Posted by Edie2k2 on November 25, 2017 at 10:17pm 0 Comments

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LIVE, IN CONCERT....TONIGHT ONLY!!! 5pm!!

Started by KnightD12 in Whatever. Last reply by Edie2k2 Sep 17, 2013. 15 Replies

THERE IS NOTHING LIKE A LIVE PERFORMANCE.YOU CAN`T FAKE YOU WAY OR AUTO…Continue

Tags: SADE, MAZE, OJAYS, james, concerts

Music Requests:

Started by Edie2k2 in Whatever. Last reply by Edie2k2 Sep 10, 2010. 62 Replies

If you've been looking for a certain music track and can't find it anywhere, why not use this thread to blast your request(s). If another member has the music, please post it. Once it's posted you can right-click on the song's arrow then 'save…Continue

Co Co Brown

Started by Gloria in Poetry and Spoken Word. Last reply by Edie2k2 Dec 6, 2009. 2 Replies

Just listen to him. This is what young ones don't have...this will just make me want to give him...a cupcake! Continue

Anybody See The Trumpet Awards?

Started by Edie2k2 in Whatever. Last reply by Edie2k2 Apr 19, 2009. 2 Replies

Chris Tucker was hilarious!!!!!!!!!!!!! LOL!!!

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... ♪♫♪ Spotlight: Billie Holiday


Considered by many to be the greatest jazz vocalist of all time, Billie Holiday lived a tempestuous and difficult life. Her singing expressed an incredible depth of emotion that spoke of hard times and injustice as well as triumph. Though her career was relatively short and often erratic, she left behind a body of work as great as any vocalist before or since. Born Eleanora Fagan in 1915, Billie Holiday spent much of her young life in Baltimore, Maryland. Raised primarily by her mother, Holiday had only a tenuous connection with her father, who was a jazz guitarist in Fletcher Henderson’s band. Living in extreme poverty, Holiday dropped out of school in the fifth grade and found a job running errands in a brothel. When she was twelve, Holiday moved with her mother to Harlem, where she was eventually arrested for prostitution.

Desperate for money, Holiday looked for work as a dancer at a Harlem speakeasy. When there wasn’t an opening for a dancer, she auditioned as a singer. Long interested in both jazz and blues, Holiday wowed the owner and found herself singing at the popular Pod and Jerry’s Log Cabin. This led to a number of other jobs in Harlem jazz clubs, and by 1933 she had her first major breakthrough. She was only twenty when the well-connected jazz writer and producer John Hammond heard her fill in for a better-known performer. Soon after, he reported that she was the greatest singer he had ever heard. Her bluesy vocal style brought a slow and rough quality to the jazz standards that were often upbeat and light. This combination made for poignant and distinctive renditions of songs that were already standards. By slowing the tone with emotive vocals that reset the timing and rhythm, she added a new dimension to jazz singing.

With Hammond’s support, Holiday spent much of the 1930s working with a range of great jazz musicians, including Benny Goodman, Teddy Wilson, Duke Ellington, Ben Webster, and most importantly, the saxophonist Lester Young. Together, Young and Holiday would create some of the greatest jazz recordings of all time. They were close friends throughout their lives—giving each other their now-famous nicknames of “Lady Day” and the “Prez.” Sympathetic to Holiday’s unique style, Young helped her create music that would best highlight her unconventional talents. With songs like “This Year’s Kisses” and “Mean To Me,” the two composed a perfect collaboration.

It was not, however, until 1939, with her song “Strange Fruit,” that Holiday found her real audience. A deeply powerful song about lynching, “Strange Fruit” was a revelation in its disturbing and emotional condemnation of racism. Holiday’s voice could be both quiet and strong at the same time. Songs such as “God Bless the Child” and “Gloomy Sunday” expressed not only her undeniable talent, but her incredible pain as well. Due to constant racial attacks, Holiday had a difficult time touring and spent much of the 1940s working in New York. While her popularity was growing, Holiday’s personal life remained troubled. Though one of the highest paid performers of the time, much of her income went to pay for her serious drug addictions. Though plagued by health problems, bad relationships, and addiction, Holiday remained an unequaled performer.

By the late 1940s, after the death of her mother, Holiday’s heroin addiction became so bad she was repeatedly arrested— eventually checking herself into an institution in the hopes of breaking her habit. By 1950, the authorities denied her a license to perform in establishments selling alcohol. Though she continued to record and perform afterward, this marked the major turning point in her career. For the next seven years, Holiday would slip deeper into alcoholism and begin to lose control of her once perfect voice. In 1959, after the death of her good friend Lester Young and with almost nothing to her name, Billie Holiday died at the age of forty-four. During her lifetime she had fought racism and sexism, and in the face of great personal difficulties triumphed through a deep artistic spirit. It is a tragedy that only after her death could a society, who had so often held her down, realize that in her voice could be heard the true voice of the times.

---PBS

♪♫♪ ...


Nuthin But A G Thang - Streetwize


A rare and slightly groovier mix of the fan favorite slow jam, which is found only on the 1st pressing of the 'Come On' maxi-single (1998)....just wish those Marva King backing vocals were also in the original mix as they really reinforce what the song convey's when they stunningly echo Prince's lead vocal...---Dickie Holmes

 
 
 

Black Heritage Gems

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Spotlight | Maze




The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).

The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. If, by chance, you know of a way to get in touch with Frankie Beverly or his management, please drop me an e-mail. It would be absolutely great to do an interview with him about his pre-Maze work. He's still playing out, most recently doing a New Year's Eve show in Atlanta.
:: Funkinsoulman ::

The Sounds of Edie2k2

  1. play Maze — 03 Feel That You're Feelin'
  2. play Maze — 04 Somebody Else's Arms
  3. play Maze — 04 Southern Girl
  4. play Maze — Can't Get Over You
  5. play Maze — Can't Get Over You
  6. play Maze — Golden Time Of Day
  7. play Norman Brown — Night Drive
  8. play Norman Brown — Feeling
  9. play Norman Brown — Still
  10. play Miles Davis — miles 1
  11. play miles 2
  12. play miles 3
  13. play miles 4
  14. play miles 5
  15. play Marvin Gaye — I Met A Little Girl
  16. play Santana — 01 Singing Winds, Crying Beasts
  17. play Santana — 02 Black Magic Woman-Gypsy Queen
  18. play Mongo — 02. Afro Blue

Photo Essay: Chicago Then & Now

Central


The Chicago River at Michigan Avenue




A construction crane can be seen in Cushman's photo, suggestive of the massive changes to that would transform the Chicago River over the next 40 years, changes that show no sign of subsiding. Only three buildings from Cushman's photo are now identifiable: the Lasalle-Wacker Building, Marina City and the Sun-Times Building, whose demolition started not long after I took my photo. By 2007 the Trump International Hotel and Tower will have risen -- and risen and risen, to a staggering 1,276 feet -- in its stead.


435 N. Michigan Ave.


Wrigley Building, Hotel Intercontinental and Tribune Tower: an interesting perspective in that it excludes any of the neighborhood's massive changes.


Wacker Drive and Clark Street




Wacker Drive and Wabash Avenue




Dearborn and Randolph Streets




I'm amused that both Cushman and I captured someone crossing the street carrying a light-colored bag in their right hand. Just about everything else at this intersection has changed, but at least one thing remains the same.


55 W. Randolph St.




When Cushman visited in 1963, ground had been broken on Daley Civic Center, which would be Chicago's tallest building from its completion in 1965 to the 1969, when it was eclipsed by the John Hancock Center. The 46-story Morrison Hotel, located at the geographic center of the Loop, is seen at the left of Cushman's photo. When it came down in 1965 to make room for Bank One Plaza (née First National Bank Building), it set a record for tallest building to be demolished.


Michigan Avenue and Huron Street




The Old Pumping Station on the east side of Michigan Avenue is still there, currently occupied by the Looking Glass Theatre, but it is obscured by trees. One notable addition since Cushman's 1966 visit: the John Hancock Center. It was completed in 1969.


800 N. Michigan Ave.




632 N. Dearborn St.




The former home of the Chicago Historical Society is now the Excalibur nightclub.


Southwest Corner of Dearborn and Erie Streets




Rush and Chestnut Streets



In 1966 the corner of Rush and Chestnut was a "go-go" lounge. By 2004 the building had come down and been replaced by an upscale furniture boutique, but it, too, is set to come down to make way for a new luxury condominium tower.


Corner of State, Cedar and Rush streets




The "Solomon-Cooper Drugs" sign remains, but Adolph's is now Domaine, and the old skyscrapers are obscured by new ones.


100 N. State St.




State and Washington Streets




Michigan Avenue from Randolph Street




The Michigan Avenue streetwall is relatively intact. The biggest changes may be in the buildings that tower behind it, such as CNA Plaza.


100 S. Michigan Ave.




1100 S. Michigan Ave.




The Skyline, from Adler Planetarium



This was one of the hardest shots to match up, so complete has the skyline transformed in 63 years. The only reference points I had were the breakwater and the steps of Adler Planetarium.


Navy Pier, from Adler Planetarium




Adler Planetarium




Grant Park




505 N. Clark St.




675 N. Rush St.




Originally the mansion of "Harvester King" Cyrus McCormick, the site is now the 40-story Omni Chicago Hotel. McCormick was a teetotaler and agricultural industrialist who was instrumental in rebuilding Chicago after the Great Fire, but a strike at the McCormick Reaper Works led to the Haymarket Square Riot in 1886. He edited the Chicago Times for several years, and the Tribune's legendary editor Robert R. McCormick, "The Colonel," was his great-nephew. The McCormick Harvesting Machine Company would eventually become Navistar.


878 N. Clark St.




977 N. Rush St.




Canal and Taylor Streets




316 W. Erie St.




Cushman noted that the building has slipped from its "moorings," and the sign reads, "THIS BUILDING DANGEROUS CONDITION." The location is now a Coyote Ugly bar.


 

The Best Music From The Past .. Present .. And Into The Future ♪♫♪

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