World Of Dub
  • Female
Share on Facebook MySpace

World Of Dub's Friends

  • Robert Nesta Marley
  • Calihoney
  • Thunder
  • Lydell Jackson
  • Shelley "SoleMann" King
  • Edie Antoinette

Profile Information

About Me

This is my perspective
on the
Golden Years
... to which I have arrived:

Like Vintage Wine

I am aged to perfection
and resemble a cultered pearl.

A diamond refined,
I have been tested
by life's blazing
and now the facets
of my beauty

Like tempered steel
I stand for truth,
and with the delicate
whisper of a butterflies'

I touch with love.

I am a woman made
majestic by the passing
of time, malleable
and shaped by God's
own hand...
...and like vintage wine

I am aged
© edie antoinette 2007

I love God, people,
and, (you guessed it)
~Music~ Originally from Chicago,
I am the proud mother of 4
and beaming grandmother of 9.
I'm a Lady DJ and always striving to improve ...
I love sincerity and inner-beauty, as well.
I love life.

King Tubby & Lee "Scratch" Perry - Perfidia Dub

Mad Professor - True Born

Prince Far I - Kaduna Dub

Jah Stitch - African People (3 in 1)

How Did You Hear About Us? What Made You Join?
I am the site creator, Edie

World Of Dub's Blog

Cherokee Legend - To Sole

Posted on November 13, 2010 at 12:30pm 1 Comment


  • 1.
    Do You Wanna Boogie, Hunh?
  • 2.
    The System Feat. Capleton (Petalpusher Salted Disco Dub)
  • 3.
  • 4.
    Well Well Well
  • 5.
    In My Opinion
  • 6.
    04 Indigo Sunset
  • 7.
    Vital Juices
  • 8.
    Good Thoughts, Bad Thoughts
  • 9.
    Jimmy's Got A Little Bit Of Bitch In Him
  • 10.
    Standing On The Verge Of Getting It On
  • 11.
    Sexy Ways
  • 12.
    I'll Stay
  • 13.
    Alice In My Fantasies
  • 14.
    Red Hot Momma
  • 15.
    Standing On The Verge Of Getting It On (single edit)
  • 16.
    05 Jasper Contry Man
  • 17.
    04 Blacks And Blues
  • 18.
    03 Just A Love Child
  • 19.
    02 Harlem River Drive
  • 20.
    01 Chicago Damn
  • 21.
    06 Baby_s Gone
  • 22.
    Feel That You're Feelin'
  • 23.
  • 24.
    04maze cant
  • 25.
    05maze golden
  • 26.
  • 27.
    Tell The World
  • 28.
    Free-bass (Godzillatron Cush)
  • 29.
    Cosmic Slop
  • 30.
    If 6 was 9
  • 31.
    Under the Influence (Jes Grew)
  • 32.
    Order Within the Universe
  • 33.
    Pray My Soul
  • 34.
  • 35.
  • 36.
  • 37.
    Blood Secrets
  • 38.
    Time Was (Events in the Elsewhere)
  • 39.
  • 40.
    Revelation in Black Light
  • 41.
    Disapperance (Life After Life)
  • 42.
    01 coffy is the colour
  • 43.
    02 Priscilla's theme
  • 44.
    03 King George
  • 45.
    04 Aragon
  • 46.
    05 Coffy Sauna
  • 47.
    06 King's Last Ride
  • 48.
    07 Coffy baby
  • 49.
    08 Brawling Broads
  • 50.
    09 Escape
  • 51.
    10 Shining Symbol
  • 52.
    11 Exotic Dance
  • 53.
    12 Making Love
  • 54.
    13 Vittroni's Theme - King is Dead
  • 55.
    14 End Of Sugarman
  • 56.
    Love Is-Chi-Lites
  • 57.
    Inner City Blues (Make Me Wanna Holler) - The Chi-Lites
  • 58.
    The Man and the Woman (Boy and the Girl)
  • 59.
    Won't Go Away



Ijahman Levi (born: Trevor Sutherland) has been on the cutting edge of Jamaica's music for more than four decades. While his 1985 duet with his second wife, Madge, "I Do," remains his best known tune, reaching the top position on the British music charts, Levi has continued to influence reggae and ska vocalists with his eclectic approach and songs of spirituality, love and humanity. Educated to the high school level in Kingston, Levi was mentored by vocal teacher Joe Higgs. Recorded his first single, "Red Eyes People," under the guidance of Stranjah Cole for Duke Reid Productions, at the age of thirteen. Shortly after moving with his with his band, Vibrations, which he formed in 1965, Levi became a regular performer at the Q club. After the group's disbanding, he formed Youth And Rudie And The Shell Shock, with which he performed until launching his solo career, as Youth, in 1966. Courted by several record companies, Levi recorded singles for Polydor in 1967 in 1967 and Decca in 1968. Levi's career was temporarily stilled when he was arrested in 1970 a sent to prison for three years. While imprisoned, he assumed the name of Ijahman Levi and wrote the classic tune, "Jah Heavy Lord." Released from prison in 1974, Levi found refuge at the house of Rastafari at the St. Agnes Place headquarters of the Twelve Tribes. Much of his time was spent studying the Bible. In 1975, Levi recorded "Jah Heavy Lord" for the Concrete Jungle subsidiary of Dip Records. Singing on Rico Rodrigues' album, Man From Warika, for the Island label, Levi was signed to a recording contract by the label's owner Chris Blackwell. His two albums on Island -- Haile I Hymn, released in 1978, and, Are We A Warrior, released in 1979 -- were produced by late Jamaican producer Geoffrey Chung. Following the success of the two albums, Levi left Island and formed his own label, Tres Roots Records International", in 1980.

The following year, he married his second wife, Madge. Ijahman remained active in the 1990s. In 1991, he performed at the Zimbabwe Sunspalsh. Five years later, he was invited to the Gambia state house as a special guest of President Jammeh. ~ Craig Harris, All Music Guide

"A We a Warrior" is truly an overlooked gem for the waning years of roots reggae's Golden Era. With only five tracks on the entire album, Ijahman takes the opportunity to languidly suss out each tune to the fullest. Every song is at least five minutes long. Several of the cuts are nearly 8 minutes long and not a moment is wasted. The result is a mystical, lush, yearning, spiritual (The Church), and, yes, sexy (check Ms. Beverly) soundscape that is still phophetic and futuristic sounding nearly three decades after is original release. Ijahman sings as though he is truly possessed by a mystical muse.

The backing band on this album could easily be an allstar list of Jamaica's finest studio musicians of the era: They are nothing less than precise as they construct deep grooves that build upon and transcend the classic one-drop sound that was so (rightfully) pervasive at the time. There is a dark edge to Ijahman's spirituality and that's what makes this record exceptional.

This is not tourist Jamaican music, nor is it poppy or hippy-dippy reggae and there are no touchy, feelly, "everything is irie" (although the grooves are indeed deep) anthems here. The style, rythm and lyrics are unapologetically revolutionary, African and Rastafarian. This not to say that those who simply enjoy great music will be put off: Above all else, the music here is sublime and richly melodic. This ones for those who seek a deeper roots sound. "Are We a Warrior" is simply rare find, a unique record that takes the willing listener on a sonic quest in search of mystic revelations.

Comment Wall (3 comments)

You need to be a member of E.FM Radio to add comments!

Join E.FM Radio

At 12:02am on September 8, 2010, Calihoney said…
Whoaaaa!!!lol Go head "World of DUB"!I love it already!lol My bad~I see below that SOLEMANN already used the word {WHOA}lol Oh well,too lazy to go back redo it right?Nice page,Cali{Crystal}
At 9:22pm on September 1, 2010, Dr. Simon F. Quattlebaum said…
At 1:03am on August 9, 2010, Shelley "SoleMann" King said…
WHOA....This is TIGHT, my Brother James would love this page

Latest Activity

Old School C left a comment for Edie Antoinette
"Hello there Mama Edie. Had to pop my head in and see how you are doing. Hope you had a wonderful…"
Nov 27
Edie Antoinette left a comment for Mista
"Well Hello My Dear! What a pleasant surprise! I'm good! You see we are still going strong.…"
Aug 30
Mista left a comment for Edie Antoinette
"Well hello ma'am.... long time no see. How are you??"
Aug 30
Mista updated their profile
Aug 30


Spotlight | Maze

  1. play Maze — 03 Feel That You're Feelin'
  2. play Maze — 04 Somebody Else's Arms
  3. play Maze — 04 Southern Girl
  4. play Maze — Can't Get Over You
  5. play Maze — Golden Time Of Day
  6. play Norman Brown — Night Drive
  7. play Norman Brown — Feeling
  8. play Norman Brown — Still
  9. play Miles Davis — miles 1
  10. play miles 2
  11. play miles 3
  12. play miles 4
  13. play miles 5
  14. play Marvin Gaye — I Met A Little Girl
  15. play Santana — 01 Singing Winds, Crying Beasts
  16. play Santana — 02 Black Magic Woman-Gypsy Queen
  17. play Mongo — 02. Afro Blue

The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 

As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.


The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
 "If That's What You Wanted" (Sassy, 1967)

Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).

The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. If, by chance, you know of a way to get in touch with Frankie Beverly or his management, please drop me an e-mail. It would be absolutely great to do an interview with him about his pre-Maze work. He's still playing out, most recently doing a New Year's Eve show in Atlanta.
:: Funkinsoulman ::

Power...Through Simplicity ♪♫♪



© 2022   Created by Edie Antoinette.   Powered by

Badges  |  Report an Issue  |  Terms of Service