James Jamerson...The World's Greatest Bass Player


James Lee Jamerson born January 29, 1936, was an American bassist. He was the uncredited bass guitarist on most of Motown Records' hits in the 1960s and early 1970s (Motown did not list credits on their releases until 1971), and he has become regarded as one of the most influential bass guitar players in modern music history. He was inducted into the Rock & Roll Hall of Fame in 2000.

James Jamerson (as is the case with the other Funk Brothers) received little formal recognition for his lifetime contributions. In fact, it wasn't until 1971, when he was acknowledged as "the incomparable James Jamerson" on the sleeve of Marvin Gaye's What's Going On, that his name even showed up on a major Motown release.

Jamerson was the subject of a 1989 book by Allan Slutsky (aka "Dr. Licks") titled Standing in the Shadows of Motown. The book includes a biography of Jamerson, a few dozen transcriptions of his bass lines, and two CDs in which 26 internationally known professional bassists (such as John Entwistle, Will Lee, Chuck Rainey, and Geddy Lee) speak about Jamerson and play those transcriptions. Jamerson's story was also featured in the subsequent 2002 documentary film of the same title.

In 2000, Jamerson was inducted into the Rock and Roll Hall of Fame, part of the first-ever group of "Sidemen" to be so honored. To date, he is the only sideman bassist to have been inducted.

In 2004, the Funk Brothers were honored with a Grammy Lifetime Achievement Award.

Long troubled by alcoholism, Jamerson died of complications stemming from cirrhosis of the liver, heart failure and pneumonia on August 2, 1983 in Los Angeles. He was 47 years old and was said to be broke and bitter about his lack of recognition at the time of his death. He left behind a wife, Annie, three sons, James Jr., Ivey, and Derek, and a daughter Doreen. He is interred at Woodlawn Cemetery.

REST IN PEACE BROTHER JAMES JAMERSON




YOU'RE MY EVERYTHING (JAMES JAMERSON ON BASS)



DARLING DEAR (JAMES JAMERSON ON BASS )

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Comment by KnightD12 on February 1, 2009 at 6:32pm
In my opinion, the bass is the most important instrument in a band. It lays down the groove for the other to follow. When I was in the 6th grade, a classmate brought a bass to school one day. He played the bass line from the theme to the TV show Peter Gun. That just blew me away. How could he do that? lol I have been paying close attention to the bass in songs ever since. Bass player always look so Cool! :)
Comment by Shelley "SoleMann" King on January 26, 2009 at 9:25am
yep, i remember when i wanted to be a Bass Player in Junior High School....LOL
Comment by Edie Antoinette on January 26, 2009 at 9:19am
The one that's supposed to be a girl is getting DOWN!!
Comment by Edie Antoinette on January 26, 2009 at 9:18am
Wow!!! You can clearly hear and see the Jamerson factor!!!! Wow!!!!!!!!!!!!
Comment by Shelley "SoleMann" King on January 26, 2009 at 9:12am
Motown Bass Solo Mike Hill (Darling Dear)

Comment by Shelley "SoleMann" King on January 26, 2009 at 9:11am
Comment by Shelley "SoleMann" King on January 26, 2009 at 9:10am
This is suppose to be a girl....LOL

Comment by Shelley "SoleMann" King on January 26, 2009 at 9:07am
Don't know who this guy is, but he feeling it too...

Comment by Edie Antoinette on January 26, 2009 at 9:00am
Whoa..he got the famous "hook" like his dad!!!! This is great!!!!!!!!
Comment by Shelley "SoleMann" King on January 26, 2009 at 5:26am
He influenced so many Bass Players starting with his son....

JAMES JAMERSON JR

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Introspection

Spotlight | Maze

  1. play Maze — 03 Feel That You're Feelin'
  2. play Maze — 04 Somebody Else's Arms
  3. play Maze — 04 Southern Girl
  4. play Maze — Can't Get Over You
  5. play Maze — Golden Time Of Day
  6. play Norman Brown — Night Drive
  7. play Norman Brown — Feeling
  8. play Norman Brown — Still
  9. play Miles Davis — miles 1
  10. play miles 2
  11. play miles 3
  12. play miles 4
  13. play miles 5
  14. play Marvin Gaye — I Met A Little Girl
  15. play Santana — 01 Singing Winds, Crying Beasts
  16. play Santana — 02 Black Magic Woman-Gypsy Queen
  17. play Mongo — 02. Afro Blue



The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).

The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. If, by chance, you know of a way to get in touch with Frankie Beverly or his management, please drop me an e-mail. It would be absolutely great to do an interview with him about his pre-Maze work. He's still playing out, most recently doing a New Year's Eve show in Atlanta.
:: Funkinsoulman ::

Power...Through Simplicity ♪♫♪

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