When Tommy Tucker ordered his lady to "put on her hi-heel sneakers" in 1964, the whole world was listening, judging from the myriad of covers and sequels that followed in its wake.

Robert Higginbotham (Tucker's legal handle) grew up in Springfield, getting his little fingers accustomed to the ivories by age seven. Tucker joined saxist Bobby Wood's band in the late '40s as its piano player. When vocal groups became the rage, the band switched gears and became the Cavaliers, a doo wop outfit that remained intact into the late '50s. Tucker put together his own combo after that to play bars in Dayton, his personnel including guitarist Weldon Young and bassist Brenda Jones.

The trio eventually relocated to Newark, NJ, setting Tucker up for his debut solo session in 1961 for Atco. "Rock and Roll Machine" was issued as by Tee Tucker and already exhibited the gritty, Ray Charles-inflected vocal delivery that Tucker later used to great advantage. His traveling companions did pretty well for themselves, too: renamed Dean & Jean, they hit big in 1963-1964 with the lighthearted duets "Tra La La La Suzy" and "Hey Jean, Hey Dean" for Rust Records.

Tucker fortuitously hooked up with Atlantic Records co-founder Herb Abramson, who was working as an independent R&B producer during the early '60s. Among their early collaborations was the lowdown Jimmy Reed-style shuffle "Hi-Heel Sneakers" (Dean Young was the nasty lead guitarist). Abramson leased it to Checker Records and watched it sail to the upper reaches of the pop charts in early 1964. A terrific Checker LP and a trip to Great Britain were among the immediate upshot for the organist.

R&B star Don Covay co-wrote Tucker's follow-up, "Long Tall Shorty," an amusing tune in a similar groove. It barely scraped the lower end of the charts, and Tucker never scored another hit. That didn't stop Abramson from trying, though -- he produced Tucker singing a soulful "That's Life" in 1966 for his own Festival label, while "Alimony," another standout Checker 45, certainly deserved a better reception than it got in 1965.

Although the majority of his waxings were under Abramson's supervision, Tucker did travel to Chicago in 1966 to record with producer Willie Dixon in an effort to jump-start his fading career. "I'm Shorty" had Dixon contributing harmony vocals and Big Walter Horton on harp, but it didn't do the trick.

Abramson admirably stuck by his protégé, recording him anew for at least another decade, but most of the mixed results just gathered dust in his vaults. Tucker was still musically active when he died, a relatively young man, in 1982.

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I just called my Dad to see if he knows Tommy Tucker and he is familiar with this singer. The song that came to mind was "High Heel Sneakers". I knew that my father would know who Tommy Tucker is....since he still has a collection of Cassette Tapes (and some 8 track tapes which he refuse to get rid of)...LOL!!

My Dad, Clarence
You look like your daddy too! Awwww, what a wonderful pic!!!!!!

Yeah, Tommy Tucker and Hi Heel Sneakers are synonymous! HA!

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Quincy Jones is thoroughly entwined in the musical background of my young adulthood. A genius of unique quality. I have been posting blogs and music throughout the years and decided to embark on the arduous but satisfying task of gathering some of it to remember the excellent legacy that he left.
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The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).
The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. The Butlers recorded their first single in 1960 titled "Loveable Girl". Left to right John Fitch, T Conway, Frankie Beverly, Sonny Nicholson and Joe Collins. 

Frankie Beverly12/6/46 - 9/10/24

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