Bobby Hutcherson recorded "Skyline" after going a couple of years without releasing an album, and the result is a really fresh, well-conceived effort. Bobby was nearing 60 when this was made, but he still had no problem matching the energies and levels of creativity of his reasonably young band. The first tune, "Who's Got You," is an extremely difficult form to improvise over-- in the vein of the Coltrane-inspired, chord-change-heavy tunes that Bobby played on many of his albums in the 60's. Of course, Bobby makes it sound easy. His haunting all-marimba version of "Delilah" is quite beautiful, and Bobby uses the vamp at the end to remind us all of just how advanced his command of harmony is. (It doesn't feel confusing, just something on the edge that you understand he's very much in control of.)

The playing on this album is stunning, the interaction is on a very high level, (which is never a surprise with Al Foster on the drums,) but, all of the little jazz nuances aside, for the average listener, the tunes will make this album. Just beautiful. The "Love Theme from Superman" is made quite pretty in Bobby's capable hands, and "Tres Palabras" and "Chan's Song" are poignant and elegant. On the other side of the spectrum, tunes like "Pomponio" and "The Coaster" show us that Bobby can still move, and display an impressive amount of power. But maybe the hippest track on this album is "I Only Have Eyes for You," the one 'standard' among all of these... a tune which most people know and few ever get excited about. Bobby breathes life into it here with a reharmonization and arragement that make it a completely different tune.

That's the wonderful thing about Bobby, he's all about reinvention. I saw the tour for this album, with most of the original personnel, and it was wonderful. Then I caught Bobby a year later, and he was playing many of the same tunes, but he'd done "arrangements" of the arrangements on this album, so they sounded slightly different, but were still based on this project. Now That's a person who appreciates the need for an artist to be ever-changing. This is a wonderful album.

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Comment by Edie Antoinette on July 22, 2013 at 9:41am
Comment by Edie Antoinette on May 21, 2012 at 6:24pm

My pleasure...L.

Comment by Lydell Jackson on May 21, 2012 at 5:27pm

Thank you for reminding me of Bobby! I forgot all about how his music made me feel on those days when I just need to clear my head and think about life, love and happiness. I love just meditating to the melodic moods created by this exceptional musician. I gotta get back to the real me in this music...THANX ONCE AGAIN E.

Remembering Q

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Quincy Jones is thoroughly entwined in the musical background of my young adulthood. A genius of unique quality. I have been posting blogs and music throughout the years and decided to embark on the arduous but satisfying task of gathering some of it to remember the excellent legacy that he left.
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The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).
The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. The Butlers recorded their first single in 1960 titled "Loveable Girl". Left to right John Fitch, T Conway, Frankie Beverly, Sonny Nicholson and Joe Collins. 

Frankie Beverly12/6/46 - 9/10/24

Power...Through Simplicity ♪♫♪

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