Dori is the son of Dorival Caymmi and Stella Maris, both famous Brazilian musicians. He began playing piano at age eight, studying under Lúcia Branco and Nise Poggi Obino. He studied music theory at the Conservatório Lorenzo Fernandez, and in 1959 made his professional debut accompanying his sister, Nana Caymmi. In 1960 he became a member of Grupo dos Sete, who wrote music for plays aired on Brazilian television. He co-directed and played violão in the play Opinião (1964), an important transitional work between the styles of bossa nova and MPB. He directed the play Arena Conta Zumbi in 1966, and worked as a producer during this time as well, for Edu Lobo, Eumir Deodato, and Nara Leão (all recording for Philips Brazil). He and Nelson Motta wrote the song "Saveiros", which, performed by Nana Caymmi, won the national prize and came in second for the international prize of the IFIC (International Song Festival) held by TV Rio. They continued to partner as songwriters for several years, writing some of Brazil's biggest hits.
He played and toured with Paul Winter and arranged and directed albums by Caetano Veloso, Gal Costa, and Gilberto Gil. He was involved with many musicians associated with the tropicalia movement of the late 1960s, but did not record in this style himself due to his distaste for Euro-American pop music. He wrote scores for numerous films and television shows in the 1970s and 1980s, and in 1989 he moved to Los Angeles. He has since played or recorded with Dionne Warwick, Toots Thielemans, Marilyn Scott, Oscar Castro-Neves, Elaine Elias, Ricardo Silveira, and Edu Lobo. He was involved with a collaboration celebrating Tom Jobim at Carnegie Hall in 1995, and arranged the music for the Spike Lee film Clockers.
doricaymmi doricaymmi Dori Caymmi Dori CaymmiDori Caymmi
Dori Caymmi Dori Caymmi Dori Caymmi Dori CaymmiDori Caymmi
Influências was nominated for a Latin Grammy for Best Contemporary Brazilian album in 2004. Some of the songs in album pay homage to his late father - “La Vem A Baiana" and “Acontece Que Eu Sou Baiano", which showcased Dori’s deep rooted love to his culture. Caymmi recorded this album along with other acclaimed international musicians including Abraham Laboriel, Jimmy Johnson, Paulo da Costa, Billy Childs, Bill Cantos, and Teco Cardoso.

Contemporâneos, recorded in 2003, was nominated for a Latin Grammy for Best Contemporary Brazilian album. The album covers contemporary Brazilian pieces sung in Portuguese, incorporating modern talents such as his sister Nana Caymmi, Caetano Veloso, and Chico Barque.

Cinema: A Romantic Vision was nominated for Latin Grammy’s Best Arrangement for his rendition of Henry Mancini’s “Pink Panther”. The recordings also featured covers of Oscar Hammerstein II & Richard Rodger’s “My Favorite Things”, John Barry’s “James Bond Main Theme”, and R. Kelly’s “I Believe I Can Fly”.

*I have provided the albums "Cinema: A Romantic Vision ", "Kicking Cans", and "Influências" .... Enjoy! ~E

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Remembering Q

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Quincy Jones is thoroughly entwined in the musical background of my young adulthood. A genius of unique quality. I have been posting blogs and music throughout the years and decided to embark on the arduous but satisfying task of gathering some of it to remember the excellent legacy that he left.
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The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).
The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. The Butlers recorded their first single in 1960 titled "Loveable Girl". Left to right John Fitch, T Conway, Frankie Beverly, Sonny Nicholson and Joe Collins. 

Frankie Beverly12/6/46 - 9/10/24

Power...Through Simplicity ♪♫♪

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