Way in the distance as you approached you could hear the sounds of the bongos.*See "Circle Of Drummers".
I remember the excitement that I always felt hearing those drums.
The 60's and early 70's...memories.

"The Point" is a man-made peninsula jutting into Lake Michigan, part of Chicago's Burnham Park. The Point was constructed from landfill and by the late 1930s was protected by a seawall or revetment. The revetment was designed and constructed by Chicago Park District engineers and consists of limestone blocks arranged in a series of four steps leading to a promenade.

Located on Chicago Park District land at 55th Street in Chicago's south side Hyde Park neighborhood, it was opened to the public in 1937. Alfred Caldwell, a disciple of Jens Jensen,[1] designed the landscaping, following the Prairie School which uses native plants and stone. Caldwell's design featured a raised "meadow" section in the center of the 12 acre peninsula and included hundreds of flowering trees and shrubs. In 1938, Caldwell created stone sitting council rings around the lakefront edge, which today are used as fire pits. Few of Caldwell's original plantings remain today.

The park is accessed by the Lake Shore Bike Path, and a tunnel which passes under Lake Shore Drive at the east end of 55th Street. At the head of the park, seen immediately upon emerging from the 55th Street tunnel, is the David Wallach Memorial Fountain. This fountain was designed in 1939 by Elizabeth and Frederick Hibbard in the shape of a fawn, with drinking areas at human and animal levels. During the Cold War the park also housed a 150-foot (46 m) radar tower for the Nike Hercules missile defense system; it was dismantled in 1971.

The park contains a fieldhouse, built in 1937, the exterior of which is made of Lannon Stone from Wisconsin. Partly because of its view of the lake and cityline, it is a popular wedding and corporate event location. It competes with the much larger Jackson Park 63rd Street Beach House and the even larger South Shore Cultural Center as south side beachfront special use facilities. The frequent summer fireworks displays at Navy Pier are often viewed from The Point, especially on Independence Day, when large numbers of Hyde Parkers and other south side residents gather there. It neighbors the Museum of Science and Industry and the 57th Street Beach.

Water access is an important aspect of the Point's history of use. Swimmers, sunbathers, kayakers, and windsurfers use the Point's revetment to access the waters of Lake Michigan. In the summer months, the North side of the Point functions as a "rock beach." On the South side of the Point, distance swimmers swim South across the bay in front of the 57th Street beach. This has been the source of conflict with the Chicago Park District as swimming off the Point is not officially allowed. From time to time, swimmers have been ticketed for violating this rule. In 2003, the Chicago Park District offered to create an officially sanctioned deep water swimming area off the South side of the Point.

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Remembering Q

E.FM Radio Spotlight

Quincy Jones is thoroughly entwined in the musical background of my young adulthood. A genius of unique quality. I have been posting blogs and music throughout the years and decided to embark on the arduous but satisfying task of gathering some of it to remember the excellent legacy that he left.
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The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).
The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. The Butlers recorded their first single in 1960 titled "Loveable Girl". Left to right John Fitch, T Conway, Frankie Beverly, Sonny Nicholson and Joe Collins. 

Frankie Beverly12/6/46 - 9/10/24

Power...Through Simplicity ♪♫♪

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