Born in Hamilton, Ohio, Roger was the fourth of ten children. He was a late-arriving member of Parliament-Funkadelic and played on the band's final Warner Brothers' album The Electric Spanking of War Babies. Beforehand, Troutman had formed various different bands with his four brothers, including Little Roger and the Vels and Roger and the Human Body. In 1977, he and the Human Body issued their first single "Freedom". Within two years, Roger and his brothers were discovered by George Clinton, who signed the newly-christened Zapp to his Uncle Jam Records label in 1979. Zapp made their professional television debut on the first and only Funk Music Awards show. A year later, as Uncle Jam Records was forced to close, Zapp signed to Warner Bros. Records and released their self-titled debut, which yielded the Bootsy Collins produced & Troutman-composed hit, "More Bounce to the Ounce." The song peaked at number two on the Billboard Soul Singles chart in the fall of 1980. The debut album reached the top twenty of the Billboard Top 200 and firmly launched Zapp and Roger into the national spotlight.
Zapp
Between 1980 and 1985, Zapp released gold-selling albums such as Zapp, Zapp II, Zapp III and New Zapp IV U and released top ten R&B hit singles such as "Be Alright", "Dance Floor", "I Can Make You Dance", "Heartbreaker", "It Doesn't Really Matter" - which was a tribute to black artists of the past and present, and the Charlie Wilson and Shirley Murdock-assisted funk ballad, "Computer Love". Zapp's hit making magic faded shortly after the release of their fifth album, Vibe, in 1989. The album would become the group's final studio album though they continued to release singles into the 1990s releasing the hits "Slow & Easy" and "Mega Medley", which put together a collection of the group's hit singles in a remix. Throughout Zapp's tenure, the original five-member lineup grew to around fifteen. Troutman also made a habit of producing solo efforts for Zapp band members and associated acts. In 1993, the group scored their biggest-selling album when a compilation album, Zapp & Roger: All the Greatest Hits, was released. Featuring remixed cuts of Roger's solo singles and featuring the "Mega Medley", the album sold over two million copies giving the collective their most successful album to date.
Solo career and production work on other artists
In 1981, upon the fast-paced success of Zapp's first album, Troutman cut his first solo album, The Many Facets of Roger. Featuring his frenetic funk cover of Marvin Gaye's "I Heard It Through the Grapevine", the song exploded to number one on the R&B singles chart helping the album sell over a million copies. The album also featured the hit, "So Ruff, So Tuff", which was almost similar to "More Bounce..." as was most Roger/Zapp singles during this time. In 1984, Troutman issued his second solo album, The Saga Continues, which featured the singles "Girl Cut It Out", "It's in the Mix" - which was dedicated to Soul Train and its host Don Cornelius in one verse, and a cover of Wilson Pickett's "In the Midnight Hour", which featured gospel group The Mighty Clouds of Joy. In 1987, Troutman scored his most successful solo album with Unlimited!, which featured the massive hit, "I Want to Be Your Man", which rose to number one R&B and number three on the Billboard Hot 100. In 1988, Troutman worked with Scritti Politti providing talk box vocals on the hit "Boom There She Was". Three years later, Troutman released his final solo album with Bridging the Gap, featuring the hit "Everybody (Get Up)". Alongside his successful careers as Zapp member and solo star, Troutman also became a hands-on producer and writer for other artists including Shirley Murdock, whose 1986 platinum debut featured the Roger-produced hit, "As We Lay". He also produced for Zapp member Dale DeGroat on his solo efforts.
* Roger Troutman and The Human Body LP
Career re-emergence
After the release of All the Greatest Hits, Roger and Zapp were basically existing as a touring group only recording sporadically. Troutman was starting to be featured on hip-hop songs by this time agreeing to appear on rapper Snoop Dogg's 1993 debut, Doggystyle. Three years later, Troutman agreed to enlist vocals on 2Pac and Dr. Dre's single, "California Love". The song became Troutman's biggest-selling and most successful single to date as the song reached number one on the Billboard Hot 100[1] and sold over two million copies giving Troutman a Grammy nomination for Best Rap Performance by a Duo or Group[2]. This success led to Troutman being included in a top ten R&B hit cover of The Persuaders' "Thin Line Between Love and Hate", which he produced and enlisted the talk box alongside Shirley Murdock and R&B group H-Town. The A Thin Line Between Love and Hate movie soundtrack also included a club hit "Chocolate City". In 1998, he appeared in a remix version of Sounds of Blackness' "Hold On (A Change is Coming)," which sampled Zapp's "Doo-Wah Ditty (Blow That Thing)". Throughout the 1990s, Roger was promoted heavily by Timothy Olague Entertainment in shows at emerging Indian Casinos in Arizona and California.
Death
On a Sunday morning, April 25, 1999, Roger Troutman was found shot and critically wounded outside his northwest Dayton recording studio around 7 a.m. According to doctors, the 47-year-old had been shot several times in the torso and was in critical condition; he died during surgery at the local hospital, Good Samaritan Hospital and Health Center. Roger's brother Larry was discovered dead in a car a few blocks away with a single gunshot wound to the head. A pistol was found inside the vehicle, which matched the description of a car leaving the scene of Roger Troutman's shooting according to witnesses[3]. The shooting was due to a personal dispute that had developed between the two brothers; Larry shot Roger, and then Larry shot himself[3]. Roger Troutman, who lived 24 years in the Dayton area, left five sons: Roger Lynch.(January 31, 1970 - January 22, 2003), Larry Gates, Lester Gates, Ryan Stevens and Taji J. Troutman; 5 daughters, Daun Shazier, Hope Shazier, Summer Gates, Mia Paris Collins, Gene Nicole Patterson; and 4 grandchildren. In remembrance, Roger's nephew Clet Troutman sang "Amazing Grace" through a talkbox at his funeral.
Comment by KnightD12 on December 22, 2009 at 3:26pm
As they said 'nobody knows for sure why this happened'. But if you ask me, its all about the $$$$$. Roger figured out he was the one people were coming to see. He was the one creating the hits. He was the one selling all the records. So why should he split the money 7 or 8 ways, when he can keep most of it himself. Its tough when a lead singer leaves a group, even tougher when the group is family. People feel betrayed. Then when the Troutman businesses started going down the tubes, it was more than Larry could stand. Maybe the gun went off accidentally during a struggle behind the studio..... who knows. Larry, realizing what had done, and how could he couldn`t face the family after what had happened, decided to take his own life. Two brothers dead ........ for nothing.
Now, that`s a sad story indeed.
That's the frustrating part--we will never know. Roger was a genius, hands down and I was LOVIN Snoop Dog's feedback--ha ha ha ha ha ha! I like him period, he is so real. I was crackin UP laughing when he talked about riding on the handlebars and the lowriders came thrugh playing Zapp. Bwa ha ha ha!
I will never forget the surrealness of the moment when I heard of the murder suicide. How crazy was that? One thing for sure, Roger wanted to branch out on his own I think. just so sad. I hate thinking about it. Tre said this was his favorite so I watched it last night. My fav is Donny and Minnie.
You know it was like they were saying, the only 2 people that know what happened that day are both dead, so it's very possible that we will never know the full story, i'm glad that Rogers music will live on and touch Generations for years to come.
Quincy Jones is thoroughly entwined in the musical background of my young adulthood. A genius of unique quality. I have been posting blogs and music throughout the years and decided to embark on the arduous but satisfying task of gathering some of it to remember the excellent legacy that he left.
The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me").
As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even
harder to come by then the "Love (Your Pain Goes Deep)" single.
The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created.
The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon).
If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available.
Enjoy. "She Kissed Me" (Fairmount, 1966 or 1967)
"I Want To Feel I'm Wanted" (not sure which label or year)
"Laugh, Laugh, Laugh"
(Phila, 1966)
"Because Of My Heart" (Fairmount, 1966 or 1967)
"Love (Your Pain Goes Deep)" (Sassy, 1967)
"If That's What You Wanted" (Sassy, 1967)
Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.
Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay."
While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).
The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. The Butlers recorded their first single in 1960 titled "Loveable Girl". Left to right John Fitch, T Conway, Frankie Beverly, Sonny Nicholson and Joe Collins.
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