I played this album until it disintegrated in the 60's as a teenager. On my prom, me and my date Harry parked by the lake and played the 8 track while looking at the stars from the car..all night. I would have to say So Many Stars is one of my favorites, although the whole album is indelibly linked to my memories of summer love and the age of innocence...edie
Sérgio Santos Mendes, born February 11, 1941 in Niterói, Brazil) is a Brazilian musician. He has released over thirty-five albums, and plays bossa nova heavily crossed with jazz and funk.

Mendes is married to Gracinha Leporace who regularly performs vocals for her husband and can also be heard on his 2006 version of the song Mas Que Nada with Black Eyed Peas.
Early Career

The child of a physician in Niterói, Brazil, Mendes attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late-1950s just as bossa nova, a jazz-inflected derivative of samba, was taking off. Mendes played with Antonio Carlos Jobim (regarded as a mentor) and many U.S. jazz musicians who toured Brazil.
HAMILTON BOHANNON - GITTIN IMPRESSIONS - PREACHER MAN - LP ISAAC REDD HOLT UNLIMITED - ISAAC ISAAC ISAAC - LP JAMES BROWN - GET ON THE GOOD FOOT - 2 LP
Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderley and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the Brasil '65 group name with Capitol Records and Atlantic Records.

Brasil '66

When sales were tepid, he replaced his Brazilian born vocalist Wanda de Sa with the distinctive voice of Chicago native Lani Hall (who learned Mendes' Portuguese material phonetically), switched to Herb Alpert's A&M label, and released Herb Alpert Presents Sergio Mendes and Brasil '66, an album that went platinum based largely on the success of the single "Mas Que Nada" (a Jorge Ben cover) and the personal support of Alpert, with whom Mendes toured regularly.

The original lineup of Brasil '66 was Mendes (piano), vocalists Lani Hall and Janis Hansen (singer), Bob Matthews (bass), Jose Soares (percussion) and Joao Palma (drums). John Pisano guested as guitarist. This line-up recorded three albums between 1966-1968 (including the best-selling Look Around LP), before there was a major personnel change for their fourth album Fool on the Hill.[1]
HAMILTON BOHANNON - GITTIN IMPRESSIONS - PREACHER MAN - LP ISAAC REDD HOLT UNLIMITED - ISAAC ISAAC ISAAC - LP JAMES BROWN - GET ON THE GOOD FOOT - 2 LP
Karen Philipp replaced Hansen as the second female vocalist, while veteran drummer Dom Um Romão teamed with Rubens Bassini to assume percussionist duties. Sebastiao Neto was the new bassist and Oscar Castro-Neves the guitarist. This line up had a more orchestrated and big band sound than their predecessors. Most significantly, in the early 1970s, lead singer Hall pursued a solo career and became Alpert's second wife. [1]Some accounts claim that Mendes was upset with Alpert for years for "stealing" Hall away from his group.

Though his early singles with Brasil '66 (most notably "Mas Que Nada") met with some success, Mendes really burst into mainstream prominence when he performed the Oscar nominated Burt Bacharach and Hal David song "The Look of Love" on the Academy Awards telecast in April 1968. Brasil '66's version of the song quickly shot into the top 10, peaking at #4[2] and eclipsing Dusty Springfield's version from the soundtrack of the movie, Casino Royale. Mendes spent the rest of 1968 enjoying consecutive top 10 and top 20 hits with his follow-up singles, "The Fool on the Hill" and "Scarborough Fair." From 1968 on, Mendes was arguably the biggest Brazilian star in the world, enjoying immense popularity worldwide and performing in venues as varied as stadium arenas and the White House, where he gave concerts for both Presidents Lyndon B. Johnson and Richard Nixon.[1] The Brasil '66 group appeared at the World Expo in Osaka - Japan in June 1970.

Middle Career
HAMILTON BOHANNON - GITTIN IMPRESSIONS - PREACHER MAN - LP ISAAC REDD HOLT UNLIMITED - ISAAC ISAAC ISAAC - LP JAMES BROWN - GET ON THE GOOD FOOT - 2 LP
Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974, followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."

In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching #4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart.[2] The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer for her vocals on the title song for the James Bond film Never Say Never Again.

By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. His stature in his native Brazil is reflected by "Cantor de Mambo," a song by fellow Brazilians Os Mutantes, which they regularly dedicate to Mendes in concert.

Later Career

Timeless features a wide array of neo-soul and alternative hip hop guest artists, most prominently will.i.am and The Black Eyed Peas. It was released February 14, 2006 by Concord Records.[1]

It features The Black Eyed Peas, Erykah Badu, Black Thought, Chali 2na of Jurassic 5, India.Arie, John Legend, Justin Timberlake, Q-Tip, Stevie Wonder and Pharoahe Monch.

The 2006, re-recorded version of "Mas que Nada" with The Black Eyed Peas had additional vocals by Gracinha Leporace (Mendes' wife); a version that is included on his album Timeless. In Brazil, the song is pretty well-known for being the theme song for the local television channel Globo's Estrelas.

The Black Eyed Peas' version also contains a sample of their 2004 hit "Hey Mama". The re-recorded song became popular on many European charts. On the UK Singles Chart, the song entered at #29 and rose to and peaked at #6 on its second week on the chart.

Views: 300

Comment

You need to be a member of E.FM Radio to add comments!

Join E.FM Radio

Latest Activity

Edie Antoinette left a comment for Old School C
"🤣🤣🤣...Treasure is our site."
Aug 23
Old School C left a comment for Edie Antoinette
"That's good to heat Mama Edie. I don't get here often but when I need to cool out to some…"
Aug 20
Edie Antoinette left a comment for Film Noir
"The Website"
Aug 19
Edie Antoinette left a comment for Old School C
"Hey Honey! What a surprise! I miss you! I'm doing fine. Still maintaining our oasis here even…"
Aug 19
Old School C left a comment for Edie Antoinette
"Hey there Mama Edie. It's been a while. Hope you are doing well. Just checkin witchya."
Aug 19
Film Noir updated their profile
Aug 16
Edie Antoinette commented on Edie Antoinette's blog post test
Jul 30
Edie Antoinette replied to Edie Antoinette's discussion WDCB FM Jazz-DuPage Illinois in the group Jazz Lounge
"WDCB Jazz-DuPage Illinois Pop Up Player"
Jul 1
Edie Antoinette posted a song

 play Summer In The City

Jun 28
Edie Antoinette updated their profile
Jun 28
Edie Antoinette replied to Edie Antoinette's discussion WDCB FM Jazz-DuPage Illinois in the group Jazz Lounge
"Many browsers have changed their settings to prevent autoplay, which may cause the WDCB player…"
Jun 26
Edie Antoinette posted a photo
May 28
Edie Antoinette posted a status
"Content ..."
May 7
The Steppin Zone updated their profile
Apr 22
The Steppin Zone and Jeanette Mack are now friends
Apr 22
JazzWorld joined Shelley "SoleMann" King's group
Thumbnail

E.FM - Black & White Photography

This Group Was Created To Focus On Black & White Photography. It Can Be Your Own Photos Or Any…See More
Apr 16
Edie Antoinette posted songs
Mar 15
Black Heritage was featured
Mar 12
Edie Antoinette liked Black Heritage's profile
Mar 12
Edie2k2 Radio updated their profile
Mar 11

Introspection

Entr'acte



  1. play Norman Brown — Night Drive
  2. play Norman Brown — Feeling
  3. play Norman Brown — Still
  4. play Miles Davis — miles 1
  5. play miles 2
  6. play miles 3
  7. play miles 4
  8. play miles 5
  9. play Marvin Gaye — I Met A Little Girl
  10. play Santana — 01 Singing Winds, Crying Beasts
  11. play Santana — 02 Black Magic Woman-Gypsy Queen
  12. play Mongo — 02. Afro Blue



The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).

The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. If, by chance, you know of a way to get in touch with Frankie Beverly or his management, please drop me an e-mail. It would be absolutely great to do an interview with him about his pre-Maze work. He's still playing out, most recently doing a New Year's Eve show in Atlanta.
:: Funkinsoulman ::

Power...Through Simplicity ♪♫♪

Members

About

© 2024   Created by Edie Antoinette.   Powered by

Badges  |  Report an Issue  |  Terms of Service