The Marquees were a short-term Washington, D.C., group who evolved from the Rainbows. Chester Simmons, Reese Palmer, James Nolan, and Marvin Gaye sang with the Rainbows at various times; Simmons was a founding member and the latter three filled in for missing Rainbows when needed. The group was part of a group of district singers who congregated in Bo Diddley's basement studio. Diddley's place overran with talent, including Billy Stewart and the Four Jewels.

Diddley hooked the Mellow-Singing Marquees up with a record deal with Okeh Records that produced "Hey Little Girl Schoolgirl" b/w "Wyatt Earp" in 1957. Thinking he had made it, Gaye showed his religious father a copy of his exodus into secular music, but Marvin Gaye, Sr. was unimpressed and peeved at the whole ordeal. The Marquees' enthusiasm faded when the single faltered, but they kept their irons in the fire.

The Marquees loved the Moonglows, and Gaye went on a mission to get next to the Moonglows' Harvey Fuqua when the group appeared at the Howard Theater. Gaye's bugging coerced Fuqua into arranging an audition in an alley outside the Howard; the Marquees impressed Fuqua so much that he fired the Moonglows after the gig and hired the Marquees. He canceled a gig in Baltimore and took the Marquees to Chicago where he added Chuck Barksdale (who had recently quit the Dells) and recorded as the New Moonglows on "12 Months of the Year" in 1959; they also supplied backing vocals to Chuck Berry's "Almost Grown" and "Back in the U.S.A."

Later in 1959, the New Moonglows released a second single, "Mama Loochie," with Gaye on lead. Lacking the magic of the old Moonglows, Fuqua disbanded the group in 1960 and sent everybody back to Washington but Marvin Gaye and Chuck Barksdale, who lived in Chicago and had reunited with the Dells. Fuqua and Gaye ventured to Detroit, where Fuqua set up some record companies that he eventually sold to Berry Gordy. Both Fuqua and Gaye married sisters of Gordy; Fuqua headed Motown's Artist Development Department along with producing and writing, while Marvin Gaye became a superstar whose life ended tragically at the hand of his father in 1984.


THE MARQUEES...WYATT EARP (1957)

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Comment by Edie Antoinette on December 11, 2009 at 12:38am
LOL! You crack me up! And that hat is tighter than Tiger Woods lips about his shenanigans..LOL
Comment by Shelley "SoleMann" King on December 11, 2009 at 12:01am
I had to crop the pic in half, someone put a big ugly green THE MARQUEES at the bottom of the pic....LOL
Comment by Edie Antoinette on December 10, 2009 at 11:56pm
Good job on the Marquees pic too!!!! You a natchel bone mad scientist like yo' Mama Edie! LOL
Comment by Edie Antoinette on December 10, 2009 at 11:55pm
I didn't know the other lady was a Gordy either!!!!! The one married to Fuqua. Wow!!!!
Comment by Edie Antoinette on December 10, 2009 at 11:54pm
This is just...............A W E S O M E................!!!!!! I didn't know any of this stuff..and you have Wyatt Earp up too! This is just unbelievably awesome! Where is Gene?????

Remembering Q

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Quincy Jones is thoroughly entwined in the musical background of my young adulthood. A genius of unique quality. I have been posting blogs and music throughout the years and decided to embark on the arduous but satisfying task of gathering some of it to remember the excellent legacy that he left.
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The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).
The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. The Butlers recorded their first single in 1960 titled "Loveable Girl". Left to right John Fitch, T Conway, Frankie Beverly, Sonny Nicholson and Joe Collins. 

Frankie Beverly12/6/46 - 9/10/24

Power...Through Simplicity ♪♫♪

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