MEMPHIS, Tenn. - Isaac Hayes, the baldheaded, baritone-voiced soul crooner who laid the groundwork for disco and whose "Theme From Shaft" won both Academy and Grammy awards, died Sunday afternoon after he collapsed near a treadmill, authorities said. He was 65.

Hayes was pronounced dead at Baptist East Hospital in Memphis an hour after he was found by a family member, the Shelby County Sheriff's Office said. The cause of death was not immediately known.

With his muscular build, shiny head and sunglasses, Hayes cut a striking figure at a time when most of his
contemporaries were sporting Afros. His music, which came to be known as urban-contemporary, paved the way for disco as well as romantic crooners like Barry White.

And in his spoken-word introductions and interludes, Hayes was essentially rapping before there was rap. His career hit another high in 1997 when he became the voice of Chef, the sensible school cook and devoted ladies man on the animated TV show "South Park."

"Isaac Hayes embodies everything that's soul music," Collin Stanback, an A&R executive at Stax, told The Associated Press on Sunday. "When you think of soul music you think of Isaac Hayes — the expression ... the sound and the creativity that goes along with it."

Hayes was about to begin work on a new album for Stax, the soul record label he helped build to legendary status. And he had recently finished work on a movie called "Soul Men" in which he played himself, starring Samuel Jackson and Bernie Mac, who died on Saturday.

Steve Shular, a spokesman for the sheriff's office, said authorities received a 911 call after Hayes' wife and young son and his wife's cousin returned home from the grocery store and found him collapsed in a downstairs bedroom. A sheriff's deputy administered CPR until paramedics arrived.

"The treadmill was running but he was unresponsive lying on the floor," Shular said.

The album "Hot Buttered Soul" made Hayes a star in 1969. His shaven head, gold chains and sunglasses gave him a compelling visual image.

"Hot Buttered Soul" was groundbreaking in several ways: He sang in a "cool" style unlike the usual histrionics of big-time soul singers. He prefaced the song with "raps," and the numbers ran longer than three minutes with lush arrangements.

"Jocks would play it at night," Hayes recalled in a 1999 Associated Press interview. "They could go to the bathroom, they could get a sandwich, or whatever."

Next came "Theme From Shaft," a No. 1 hit in 1971 from the film "Shaft" starring Richard Roundtree.

"That was like the shot heard round the world," Hayes said in the 1999 interview.

At the Oscar ceremony in 1972, Hayes performed the song wearing an eye-popping amount of gold and received a standing ovation. TV Guide later chose it as No. 18 in its list of television's 25 most memorable moments. He won an Academy Award for the song and was nominated for another one for the score. The song and score also won him two Grammys.

"The rappers have gone in and created a lot of hit music based upon my influence," he said. "And they'll tell you if you ask."

Hayes was elected to the Rock and Roll Hall of Fame in 2002.

"I knew nothing about the business, or trends and things like that," he said. "I think it was a matter of timing. I didn't know what was unfolding."

A self-taught musician, he was hired in 1964 by Stax Records of Memphis as a backup pianist, working as a session musician for Otis Redding and others. He also played saxophone.

He began writing songs, establishing a songwriting partnership with David Porter, and in the 1960s they wrote such hits for Sam and Dave as "Hold On, I'm Coming" and "Soul Man."

All this led to his recording contract.

In 1972, he won another Grammy for his album "Black Moses" and earned a nickname he reluctantly embraced. Hayes composed film scores for "Tough Guys" and "Truck Turner" besides "Shaft." He also did the song "Two Cool Guys" on the "Beavis and Butt-Head Do America" movie soundtrack in 1996. Additionally, he was the voice of Nickelodeon's "Nick at Nite" and had radio shows in New York City (1996 to 2002) and then in Memphis.

He was in several movies, including "It Could Happen to You" with Nicolas Cage, "Ninth Street" with Martin Sheen, "Reindeer Games" starring Ben Affleck and the blaxploitation parody "I'm Gonna Git You, Sucka."

In the 1999 interview, Hayes described the South Park cook as "a person that speaks his mind; he's sensitive enough to care for children; he's wise enough to not be put into the 'wack' category like everybody else in town — and he l-o-o-o-o-ves the ladies."

But Hayes angrily quit the show in 2006 after an episode mocked his Scientology religion.

"There is a place in this world for satire," he said. "but there is a time when satire ends and intolerance and bigotry toward religious beliefs of others begins."

Co-creator creators Matt Stone responded that Hayes "has no problem — and he's cashed plenty of checks — with our show making fun of Christians." A subsequent episode of the show seemingly killed off the Chef character.

Hayes was born in 1942 in a tin shack in Covington, Tenn., about 40 miles north of Memphis. He was raised by his maternal grandparents after his mother died and his father took off when he was 1 1/2. The family moved to Memphis when he was 6.

Hayes wanted to be a doctor, but got redirected when he won a talent contest in ninth grade by singing Nat King Cole's "Looking Back."

He held down various low-paying jobs, including shining shoes on the legendary Beale Street in Memphis. He also played gigs in rural Southern juke joints where at times he had to hit the floor because someone began shooting.

___

AP writers Bruce Schreiner in Louisville, Ky., and Nekesa Moody in New York contributed to this story.
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(CNN) -- Soul singer and arranger Isaac Hayes, who won Grammy awards and an Oscar for the theme from the 1971 action film "Shaft," has died, sheriff's officials in Memphis, Tennessee, reported Sunday.
Singer Issac Hayes seen performing in the U.K. last year. Hayes was found dead Sunday at age 65.

Singer Issac Hayes seen performing in the U.K. last year. Hayes was found dead Sunday at age 65.
more photos »

Relatives found Hayes, 65, unconscious in his home next to a still-running treadmill, said Steve Shular, a spokesman for the Shelby County Sheriff's Department.

Paramedics attempted to revive him and took him to a hospital, where he was pronounced dead shortly after 2 p.m., the sheriff's department said.

No foul play is suspected, the agency said in a written statement.

Hayes was a longtime songwriter and arranger for Stax Records in Memphis, playing in the studio's backup band and crafting tunes for artists such as Otis Redding and Sam and Dave in the 1960s. Photo See photos of singer Isaac Hayes »

He released his first solo album in 1967, and his 1969 follow-up, "Hot Buttered Soul," became a platinum hit.

In 1971, the theme from "Shaft" topped the Billboard Hot 100 for two weeks and won an Academy Award for best original theme song. The song and the movie score also won Grammy awards for best original score and movie theme.

Hayes won a third Grammy for pop instrumental performance with the title track to his 1972 "Black Moses" album.
Don't Miss

* iReport.com: Your memories of Isaac Hayes

From the late 1990s through 2006, Hayes provided the voice of "Chef" for Comedy Central's raunchy animated series "South Park," as well as numerous songs.

The role introduced him to a new generation of fans, but he left after the show lampooned his own religion, the Church of Scientology.

He was inducted into the Rock and Roll Hall of Fame in 2002. In a CNN interview at the time, Hayes credited his success to "adjusting and constantly evolving, expanding and trying to stay as young as I can."

The new generation of popular musicians, he said, "could use a little more substance like we had in the day."

"They're standing on our shoulders. Some of them don't realize [it] because they sample me so much," he said.

Hayes credited his role on "South Park" with expanding his fan base, and said that he had almost passed on the job.

"I started to walk out. I thought it was a Disney thing. I [had] never heard of this thing," he said. But his agent persuaded him to tape some episodes.

"Toward the opening I started having trepidations -- 'Oh my god, what have I done? I've ruined my career.' But when it aired, the ratings went through the roof," he said.
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A 1992 visit to the royal family in Ghana was a life-changing experience for Hayes, he said.

"I went back on speaking engagements and encouraged African-Americans to go to Africa [to] interact socially, culturally and/or economically," he said


August 20, 1942 – August 10, 2008)[1] was an American soul and funk singer-songwriter, musician, record producer, arranger, composer and actor. Hayes was one of the main creative forces behind southern soul music label Stax Records, where he served as both an in-house songwriter and producer with partner David Porter during the mid-1960s. In the late 1960s, Hayes became a recording artist, and recorded successful soul albums such as Hot Buttered Soul (1969) and Black Moses (1971) as the Stax label's premier artist.

Alongside his work in popular music, Hayes was a film score composer for motion pictures. His best known work, for the 1971 blaxploitation film Shaft, earned Hayes an Academy Award for Best Original Song (the first Academy Award received by an African-American in a non-acting category) and two Grammy Awards. He received a third Grammy for the album Black Moses.

In 1992, in recognition of his humanitarian work, he was crowned an honorary king of Ghana's Ada district. From 1997 to 2006, he provided the voice for the character "Chef" on the Comedy Central animated TV series South Park.

Hayes was found dead in his home located just east of Memphis, Tennessee on August 10, 2008 as reported by the Shelby County, Tennessee Sheriff’s Department. A Shelby County Sheriff's deputy responded to Hayes' home after his wife found him on the floor near a still-running treadmill. Hayes was taken to Baptist Memorial Hospital in Memphis, where he was pronounced dead at 2:08pm.[1][2]
Contents
[hide]

* 1 Biography
o 1.1 Early years
o 1.2 Stax Records and Shaft
o 1.3 HBS (Hot Buttered Soul Records) and bankruptcy
o 1.4 Polydor and hiatus, film work and the Duke of New York
o 1.5 Return to school
o 1.6 Family
o 1.7 Basketball team ownership
o 1.8 Scientology activism
* 2 Charitable work
* 3 South Park's "Chef"
o 3.1 Hayes's departure and criticism
* 4 Death
* 5 Awards
* 6 Discography
o 6.1 Top Forty US and UK albums
o 6.2 Top Forty US and U.K. singles
* 7 Isaac Hayes & David Porter songwriting and production highlights
* 8 Filmography
* 9 References
* 10 External links

Biography

Early years

Hayes was born in Covington, Tennessee, the second-born child of Isaac Sr. and Eula Hayes,[3] but after their deaths was raised by his grandparents, Mr. and Mrs. Willie Wade, Sr. The child of a poor family, he grew up picking cotton in Covington. He dropped out of high school, only to be encouraged later by his former high school teachers at Manassas High to get his diploma, which he earned at the age of 21. He began singing at the age of five at his local church, and, soon after, he taught himself to play the piano, electronic organ, flute and saxophone.

Stax Records and Shaft
Isaac Hayes' 1969 album Hot Buttered Soul was both a commercial success and a milestone in the development of soul music.
Isaac Hayes' 1969 album Hot Buttered Soul was both a commercial success and a milestone in the development of soul music.

Hayes began his recording career in the early 1960s, as a session player for various acts of the Memphis-based Stax Records. He later wrote a string of hit songs with songwriting partner David Porter, including "You Don't Know Like I Know", "Soul Man", "When Something Is Wrong with My Baby", and "Hold On I'm Comin" for Sam and Dave. Hayes, Porter and Stax studio band Booker T. & the MGs served as the main production team for much of the label's output during the early and mid-1960s. In 1967, Hayes released his debut album, Presenting Isaac Hayes, a jazzy, largely improvised effort that was commercially unsuccessful. [4]

His next album was Hot Buttered Soul, which was released in 1969 after Stax had gone through a major upheaval. The label had lost its largest star, Otis Redding, in a plane crash in December of 1967. Stax lost all of its back catalog to Atlantic Records in May of 1968. As a result, Stax executive vice president Al Bell called for 27 new albums to be completed in mid-1969; Hot Buttered Soul, was the most successful of these releases. [4]This album is noted for Hayes' image (shaved head, gold jewelry, sun glasses, etc) and his distinct sound (extended orchestral songs, heavy on organs, horns, and guitars, deep bass vocals, etc). Also on the album, Hayes re-interprets "Walk On By" (which had been made famous by Dionne Warwick) into a twelve-minute exploration. "By the Time I Get to Phoenix" starts with an eight-minute long monologue before breaking into song, and the lone original number, the funky "Hyperbolicsyllabicsesquedalymistic" runs nearly ten minutes, a significant break from the standard three minute soul/pop songs.

"Walk On By" would be the first of many times Hayes would take a Burt Bacharach standard, generally made famous as three minute pop songs by Dionne Warwick or Dusty Springfield, and transform it into an soulful, lengthy and almost gospel number.

In 1970, Hayes released two albums, The Isaac Hayes Movement and To Be Continued. The former stuck to the four song template of his previous album. Jerry Butler's "I Stand Accused" begins with a trademark spoken word monologue, and Bacharach's "I Just Don't Know What to Do with Myself" is re-worked. The latter spawned the classic, "The Look Of Love," another Bacharach song transformed into an eleven-minute epic of lush orchestral rhythm (mid-way it breaks into a rhythm guitar jam for a couple of minutes before suddenly resuming the slow love song). An edited three-minute version was issued as a single. [5] The album also featured the instrumental "Ike's Mood," which segued into his own version of "You've Lost That Loving Feeling." Hayes released a Christmas single, "The Mistletoe and Me" (with "Winter Snow" as a B-side).
The soundtrack for the 1971 blaxploitation film Shaft remains Hayes' best-known work.
The soundtrack for the 1971 blaxploitation film Shaft remains Hayes' best-known work.

In early 1971, Hayes composed music for the soundtrack of the blaxploitation film Shaft. (in the movie, he also appeared in a cameo role as the bartender of No Name Bar). The title theme, with its wah-wah guitar and multi-layered symphonic arrangement, would become a worldwide hit single, and spent two weeks at number one in the Billboard Hot 100 in November. The remainder of the album was mostly instrumentals covering big beat jazz, bluesy funk, and hard Stax-styled soul. The other two vocal songs, the social commentary "Soulville" and the nineteen-minute jam "Do Your Thing," would be edited down to hit singles. [5] Hayes won an Academy Award for Best Original Song for the "Theme from Shaft," and was nominated for Best Original Dramatic Score for the film's score.

Later in the year, Hayes released a double album, Black Moses, that expanded on his earlier sounds and featured The Jackson 5's song "Never Can Say Goodbye". Another single, "I Can't Help It," was not featured on the album.

In 1972, Hayes would record the theme tune for the TV series The Men and enjoy a hit single (with "Type Thang" as a B-side)[5] He released several other non-album singles during the year, such as "Feel Like Making Love", "If Loving You Is Wrong (I Don't Want To Be Right)", and "Rolling Down a Mountainside". Atlantic would re-release Hayes' debut album this year with the new title In The Beginning. [6]

Hayes was back in 1973 with an acclaimed live double album, Live At Sahara Tahoe, and followed it up with the album Joy, with eerie beat of the fifteen-minute title track. He moved away from cover songs in this album. An edited "Joy" would be a hit single. [7]

In 1974, Hayes was featured in the blaxploitation films Three Tough Guys and Truck Turner, and he recorded soundtracks for both. Tough Guys was being almost devoid of vocals and Truck Turner yielded a single with the title theme. The soundtrack score was eventually used by filmmaker Quentin Tarantino in the Kill Bill film series and has been used for over 30 years as the opening score of Brazilian radio show Jornal de Esportes at Jovem Pan station.

HBS (Hot Buttered Soul Records) and bankruptcy

By 1974, Stax Records was having serious financial problems, stemming from problems with overextension and limited record sales and distribution. Hayes himself was deep in debt to Union Planters Bank, which administered loans for the Stax label and many of its other key employees. In September of that year, Hayes sued Stax for $5.3 million. As Stax was in deep debt and could not pay, the label made an arrangement with Hayes and Union Planters: Stax released Hayes from his recording and production contracts, and Union Planters would collect all of Hayes' income and apply it towards his debts. Hayes formed his own label, Hot Buttered Soul, which released its product through ABC Records. His new album, 1975's Chocolate Chip saw Hayes embrace the disco sound with the title track and lead single. "I Can't Turn Around" would prove a popular song as time went on. This would be Hayes' last album to chart top 40 for many years. Later in the year, the all instrumental Disco Connection album fully embraced disco.

In 1976, the album cover of Juicy Fruit featured Hayes in a pool with naked women, and spawned the title track single and the classic "Storm Is Over". Later the same year the Groove-A-Thon album featured the singles "Rock Me Easy Baby" and the title track. However, while all these albums were regarded as solid efforts, Hayes was no longer selling large numbers. He and his wife were forced into bankruptcy in 1976, as they owed over $6 million. By the end of the bankruptcy proceedings in 1977, Hayes had lost his home, much of his personal property, and the rights to all future royalties earned from the music he'd written, performed, and produced.

Polydor and hiatus, film work and the Duke of New York

In 1977, Hayes was back with a new deal with Polydor Records, a live album of duets with Dionne Warwick did moderately well, and his comeback studio album New Horizon sold better and enjoyed a hit single "Out The Ghetto", and also featured the popular "It's Heaven To Me".

1978's For The Sake Of Love saw Hayes record a sequel to "Theme from Shaft" ("Shaft II"), but was most famous for the single "Zeke The Freak", a song that would have a shelf life of decades and be a major part of the House movement in the UK. The same year, Fantasy Records, which had bought out Stax Records, released an album of Hayes' non-album singles and archived recordings as a "new" album, Hotbed, in 1978.

In 1979, Hayes returned to the Top 40 with Don't Let Go and its disco-styled title track that became a hit single (U.S. #18), and also featured the classic "A Few More Kisses To Go". Later in the year he added vocals and worked on Millie Jackson's album Royal Rappin's.

Neither 1980s And Once Again or 1981's Lifetime Thing produced notable songs or big sales, and Hayes chose to take a break from music to pursue acting.

In the 1970s, Hayes featured in the films Shaft (1971) and Truck Turner (1974); he also had a recurring role in the TV series The Rockford Files as ex-con strongman Gandolph Fitch, including one episode alongside duet-partner Dionne Warwick. In the 1980s and 90s, he appeared in numerous films, notably Escape from New York (1981), I'm Gonna Git You Sucka (1988), Prime Target (1991), Robin Hood: Men in Tights (1993), and Johnny Mnemonic (1995), as well as in episodes of The A-Team and Miami Vice. He also attempted a musical comeback, embracing the style of drum machines and synth for 1986s U-Turn and 1988s Love Attack, though neither proved successful.


Return to school

Hayes launched a high-selling and successful comeback on the Virgin label in 1995. Branded was considered a return to form, and received positive reviews throughout the music press. A companion album Raw and Refined was released around the same time and featured a collection of previously unheard instrumentals, both old and new.

Hayes would become even more in the public consciousness with his long-running role as overweight loverman "Chef" in the controversial hit TV series South Park. (See below)

Hayes was inducted into the Rock 'n Roll Hall of Fame in 2002. The same year, a documentary highlighting Isaac's career and his impact on many of the Memphis artists in the 1960s onwards was produced, "Only The Strong Survive".

In 2004, Hayes appeared in a recurring minor role as the Jaffa Tolok on the television series Stargate SG-1. The following year, he appeared in the critically acclaimed independent film Hustle & Flow.

Family

Hayes is the father of 12 children, and has 14 grandchildren and three great-grandchildren.[8] His fourth wife Adjowa[9] gave birth to a son named Nana Kwadjo Hayes on April 10, 2006.[10] One son is his namesake, Isaac Hayes III.

Basketball team ownership

On July 17, 1974 Isaac Hayes, along with Mike Storen, Avron Fogelman and Kemmonis Wilson took over ownership of the American Basketball Association team the Memphis Tams.[11] The prior owner was Charles O. Finley, the owner of the Oakland A's baseball team. Hayes' group renamed the team the Memphis Sounds. Despite a 66% increase in home attendance, hiring well regarded coach Joe Mullaney and, unlike in the prior three seasons, making the 1975 ABA Playoffs (losing to the eventual champion Kentucky Colonels in the Eastern Division semifinals) the team's financial problems continued. The group was given a deadline of June 1, 1975 to sell 4,000 season tickets, obtain new investors and arrange a more favorable lease for the team at the Mid-South Coliseum. The group did not come through and the ABA took over the team, selling it to a group in Maryland that renamed the team the Baltimore Hustlers and then the Baltimore Claws before the club finally folded during preseason play for the 1975-1976 season.[12]

Scientology activism

Hayes joined Scientology around 1995. He has contributed endorsement blurbs for many Scientology books. The frontispiece page for Scientology: The Fundamentals of Thought (1997 paperback edition) quotes Hayes as saying "If you really want to know about the mind, the spirit and life itself, read Scientology: The Fundamentals of Thought. It will put you on the right path!"

Hayes also appears in the Scientology film Orientation, giving a testimonial on how Scientology has helped him.

In 1998 Hayes and fellow Scientologist entertainers Anne Archer, Chick Corea and Haywood Nelson attended the 30th anniversary of Freedom Magazine, the Church of Scientology's investigative news journal, at the National Press Club in Washington DC, to honor eleven human rights activists.[13]

Hayes and Doug E. Fresh, another Scientologist musician, recorded an album in 2001 called The Joy Of Creating - The Golden Era Musicians And Friends Play L. Ron Hubbard. The album incorporates Scientology themes in the lyrics, such as "Let me tell you something. Wax enthusiastic and you'll feel so. A being causes his own feelings. It's the Joy Of Creating. Uh!".[14]

Charitable work

In February 2006, Hayes appeared in a Youth for Human Rights International music video called "United". YHRI is a human rights group founded by a Scientologist Mary Shuttleworth and is not part of the church itself, and welcome members of any faith or background. Hayes was also involved in other human rights related groups such as the One Campaign.

South Park's "Chef"
Isaac Hayes' character Chef from South Park.
Isaac Hayes' character Chef from South Park.

Main article: Chef (South Park)

During the late-1990s, Hayes became popular as the voice of Chef on the Comedy Central series South Park. Chef was a soul-singing cafeteria worker at the South Park kids' school. A song from the series performed by Chef, "Chocolate Salty Balls (P.S. I Love You)", received some international radio airplay in 1999. It reached number-one on the UK singles chart and also on the Irish singles chart. The track also appeared on the album Chef Aid: The South Park Album in 1998.


Hayes's departure and criticism

In the South Park episode "Trapped in the Closet", a satire and expose of Scientology which aired on November 16, 2005, Hayes did not appear in his role as Chef. While appearing on the Opie and Anthony radio show about a month after the episode aired, Hayes was asked, "What did you think about when Matt and Trey did that episode on Scientology?" He replied (in a noticeably calm, casual manner), "One thing about Matt and Trey, they lampoon everybody, and if you take that serious, I'll sell you the Brooklyn bridge for two dollars. That’s what they do."

In an interview for The A.V. Club on January 4, 2006, Hayes was again asked about the episode. Hayes said that he told the creators, Matt Stone and Trey Parker, "Guys, you have it all wrong. We're not like that. I know that’s your thing, but get your information correct, because somebody might believe that shit, you know?" He then told them to take a couple of Scientology courses to understand what they do. In the interview, Hayes defended South Park's style of controversial humor, noting that he was not pleased with the show's treatment of Scientology, but conceding that he "understands what Matt and Trey are doing."[15]

On March 13, 2006, a statement was issued in Hayes' name, indicating that he was asking to be released from his contract with Comedy Central, citing recent episodes which satirized religious beliefs as being intolerant. "There is a place in this world for satire, but there is a time when satire ends and intolerance and bigotry towards religious beliefs of others begins," he was quoted in a press statement. The statement, however, did not directly mention Scientology. A response from Stone said that Hayes' complaints stemmed from the show's criticism of Scientology and that he "has no problem – and he’s cashed plenty of checks – with our show making fun of Christians, Muslims, Mormons or Jews."[16][17] Stone adds, "[We] never heard a peep out of Isaac in any way until we did Scientology. He wants a different standard for religions other than his own, and to me, that is where intolerance and bigotry begin." Stone and Parker agreed to release Hayes from his contract per his request.

On March 20, 2006, Roger Friedman of Fox News reported having been told that the statement was made in Hayes's name, but not by Hayes himself, as he suffered a stroke in January. He wrote: "Isaac Hayes did not quit South Park. My sources say that someone quit it for him. ... Friends in Memphis tell me that Hayes did not issue any statements on his own about South Park. They are mystified."[18] Hayes spokeswoman Amy Harnell denied that Hayes had had a stroke[19], but on October 26, 2006 Hayes himself confirmed that he did.[20]

On January 24, 2007, the New York Post reported that Hayes had told their reporter "They didn’t pay me enough" and "They weren’t that nice".[21]

The South Park season 10 premiere (aired March 22, 2006) featured "The Return of Chef", a thinly veiled telling of the affair from Parker and Stone's point of view. Using sound clips from past episodes, it depicts Chef as having been brainwashed and urges viewers (via Kyle talking to the town) to "remember Chef as the jolly old guy who always broke into song" and not to blame Chef for his defection, but rather, as Kyle stated, "be mad at that fruity little club for scrambling his brains."

On April 9, 2008 Hayes was a guest on The Adam Carolla Show.[22] Hayes stumbled in his responses to questions, and a caller questioned whether Hayes was under the influence of a substance. However, Hayes' awkward answering and stuttering could be symptoms of aphasia, a form of language disorder from which many stroke patients (such as Hayes) suffer. Carolla and co-host Teresa Strasser asked Hayes if he had done a little "wake and bake", to which Hayes responded that he had written a cookbook. When the hosts clarified the question by asking if he had ever used marijuana, he replied that he had only ever tried it once. For the rest of the interview, the radio hosts made light of Hayes' awkward answers. Sound effects man Bryan Bishop has continuously replayed Hayes saying "It's good", "Mmmmmm... sometimes", "No", and "It's a good thing" as sound drops, often simulating conversation with his co-hosts. Hayes did admit during the interview that he was no longer on good terms with Trey Parker and Matt Stone.

Death

On August 10, 2008, Hayes' wife found him on the floor near a treadmill inside his home located just east of Memphis, Tennessee. A Shelby County, Tennessee sheriff's deputy responded to Hayes' home. He was taken to Baptist Memorial Hospital in Memphis, where he was pronounced dead at 2:08pm, at the age of 65. The cause of death was not immediately known – though Hayes' family believe at this point it is a medical condition[23] – and foul play has not been suspected.[2][24]

Awards

* Academy Awards:
o 1972: Best Original Song, Theme from Shaft (winner)
o 1972: Best Original Score, Shaft (nomination)

* Grammy Awards:
o 1972: Best Instrumental Arrangement, "Theme from Shaft" (arranged with Johnny Allen)
o 1972: Best Original Score Written for a Motion Picture or a Television Special, "Theme From Shaft"
o 1973: Best Pop Instrumental Performance By An Arranger, Composer, Orchestra and/or Choral Leader, Black Moses

Discography

Main article: Isaac Hayes discography

Top Forty US and UK albums

* 1969: Hot Buttered Soul (US #8)
* 1970: The Isaac Hayes Movement (by The Isaac Hayes Movement, US #8)
* 1970: ...To Be Continued (US #11)
* 1971: Shaft (US #1)
* 1971: Black Moses (US #10)
* 1973: Joy (US #16)
* 1973: Live at the Sahara Tahoe (US #14)
* 1975: Chocolate Chip (US #18)
* 1979: Don't Let Go (US #39)

Top Forty US and U.K. singles

* 1969: "Walk on By" (US #30)
* 1969: "By the Time I Get to Phoenix" (US #37)
* 1971: "Theme from Shaft" (US #1)
* 1971: "Never Can Say Goodbye" (US #22)
* 1972: "Do Your Thing" (US #30)
* 1973: "Joy" (US #30)
* 1980: "Don't Let Go" (US #18)
* 1999: (as Chef) "Chocolate Salty Balls" (UK #1)

Isaac Hayes & David Porter songwriting and production highlights

* 1965: "Candy" by The Astors
* 1965: "You Don't Know Like I Know" by Sam & Dave
* 1966: "Let Me Be Good to You" by Carla Thomas
* 1966: "B-A-B-Y" by Carla Thomas
* 1966: "Your Good Thing (Is About to End)" by Mabel John
* 1966: "Hold On, I'm Comin'" by Sam & Dave
* 1967: "When Something is Wrong with My Baby" by Sam & Dave
* 1967: "Soul Man" by Sam & Dave
* 1968: "I Thank You" by Sam & Dave
* 1969: "So I Can Love You" by The Emotions (production only)
* 1969: "The Sweeter He Is" by The Soul Children
* 1969: "Soul Sister Brown Sugar" by Sam & Dave

Filmography
Wikinews has related news:
Isaac Hayes quits South Park over Scientology episode

* Soul in Cinema: Filming Shaft on Location (1971) (short subject)
* Save the Children (1973) (documentary)
* The Black Moses of Soul (1973) (documentary)
* Wattstax (1973) (documentary)
* Truck Turner (1974)
* Three Tough Guys (1974)
* It Seemed Like a Good Idea at the Time (1975)
* Escape from New York (1981)
* Counterforce (1987)
* Dead Aim (1987)
* I'm Gonna Git You Sucka (1988)
* Fire, Ice & Dynamite (1990)
* Guilty as Charged (1991)
* Prime Target (1991)
* Final Judgement (1992)
* Deadly Exposure (1993)
* CB4 (1993)
* Posse (1993)
* Robin Hood: Men in Tights (1993)
* Oblivion (1994)
* It Could Happen to You (1994)
* Magic Island (1995) (voice only)
* The Fresh Prince of Bel-Air (1995)
* Oblivion 2: Backlash (1996)
* Orientation: A Scientology Information Film (1996) (short subject)
* Flipper (1996)
* Illtown (1996)
* Uncle Sam (1997)
* Six Ways To Sunday (1997)
* Blues Brothers 2000 (1998)
* Ninth Street (1999)
* South Park: Bigger, Longer & Uncut (1999) (voice)
* Dead Dog (2000)
* Reindeer Games (2000)
* Shaft (2000) (Cameo)
* Dr. Dolittle 2 (2001) (voice)
* Chelsea Walls (2001) (Cameo)
* Hustle & Flow (2005)

References

1. ^ a b Memphis soul legend Isaac Hayes dead at 65
2. ^ a b "Soul legend Isaac Hayes dies", CNN (August 10, 2008). Retrieved on 2008-08-10.
3. ^ Isaac Hayes Biography (1942-)
4. ^ a b "Ultimate Isaac Hayes (Can You Dig It?), Audio". Contactmusic.com. Retrieved March 15, 2008.
5. ^ a b c Isaac Hayes Discography. The Stax Site. Retrieved March 15, 2008
6. ^ MusicStack entries for In the Beginning show that the LP's contents are identical to those of Presenting Isaac Hayes.
7. ^ Isaac Hayes Billboard chart history. Allmusic.com. Retrieved March 15, 2008
8. ^ You Can Dig Him, Chattanooga Pulse, December 13, 2006
9. ^ ISAAC HAYES AND ADJOWA HAYES, beliefnet.com
10. ^ Isaac Hayes the Father of Baby Boy, AP, May 16, 2006
11. ^ [1]
12. ^ Remember the ABA: Memphis Sounds
13. ^ Haywood You Remember Garden City Park
14. ^ Leggett, Jonathan (2006-03-25). "The Guide: Keeping the faith", The Guardian, The Guardian.
15. ^ A.V. Club interview of Isaac Hayes, January 4, 2006.
16. ^ "Isaac Hayes quits 'South Park' citing religious intolerance", CBC (March 23, 2006).
17. ^ "South Park gets revenge on Chef", BBC News (March 23, 2006).
18. ^ Roger Friedman (March 20, 2006). "Chef’s Quitting Controversy", Fox News.
19. ^ Hayes Slams 'Stroke' Rumors, Hollywood.com, March 27, 2006
20. ^ Hayes has put stroke, 'South Park' behind him, MySanAntonio.com, October 26, 2006.
21. ^ ISAAC PUTS CHEF BEHIND HIM, The New York Post, January 24, 2007
22. ^ Isaac Hayes interview, MP3 format, FreeFM: The Adam Carolla Show, April 9, 2008
23. ^ Soul icon Isaac Hayes dies at 65
24. ^ Isaac Hayes Dies At Age 65

External links

* IsaacHayes.com
* Site of Isaac Hayes' breakout gig!
* Allmusic Entry
* Isaac Hayes at Wenig-LaMonica Associates
* Isaac Hayes at the Internet Movie Database
* MP3 audio interview with Stax Records expert Rob Bowman on the radio program The Sound of Young America, including information on Hayes' performance at Wattstax
* InnerVIEWS with Ernie Manouse: Isaac Hayes (TV interview)

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R.I.P. MY BROTHER WE ALL LOVE YOU DEARLY! MAY GOD COMFORT YOUR FAMILY IN THIS HOUR OF PAIN.

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Comment by Edie Antoinette on August 11, 2008 at 11:04am
Excellent! My dear! I did one too..hope you'll check it out:

http://msoldschool.ning.com/profiles/blog/show?id=1370523%3ABlogPost%3A42725
Comment by Shelley "SoleMann" King on August 10, 2008 at 6:45pm
What a wonderful tribute and i love the pics and videos

Remembering Q

E.FM Radio Spotlight

Quincy Jones is thoroughly entwined in the musical background of my young adulthood. A genius of unique quality. I have been posting blogs and music throughout the years and decided to embark on the arduous but satisfying task of gathering some of it to remember the excellent legacy that he left.
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The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).
The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. The Butlers recorded their first single in 1960 titled "Loveable Girl". Left to right John Fitch, T Conway, Frankie Beverly, Sonny Nicholson and Joe Collins. 

Frankie Beverly12/6/46 - 9/10/24

Power...Through Simplicity ♪♫♪

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