The most noticeable improvement over its predecessor is the number of thick, solid midtempo grooves, whereas her debut was largely stuck in ultra-slow ballad mode. "This Time" takes the tropical-influenced rhythms of her first single, "Love's Taken Over," and raises the stakes by coming up with an equally slick groove and another set of flawless vocals. A cover of Deniece Williams' "Free" has a driving groove behind it (not to mention a gorgeoud fluglehorn and backing vocals), and "Searchin" lays down a bass-heavy beat underneath Chante's spoken-word stylings (think Madonna, "Justify My Love").
But the ballads are just as distinct and original as well. The slightly-distorted percussion of "Your Love's Supreme" are a striking contrast to her smooth-as-silk vocals, ditto for the window-rattling rhythms of "Soul Dance." Jimmy Jam and Terry Lewis work their usual percussive magic on the seductive "Mood," and the rapid-fire verses juxtapositioned against a laid-back groove make "I'm What You Need" a near-perfect gem.
The only true faults of the record rest at the very end: "Am I Losing You" skirts the realm of maudlin, and "Thou Shalt Not" is so bland a pop ballad it's a wonder it made the album, considering the quality of material that comes before it. But one listen to "Old School Lovin" will settle any score; sounding every bit like a 70's record (this was before the sound of scratchy vinyl became so popular and therefore overused, so it's enjoyable here) Chante sings the joys of old-fashioned romance, and the production, arrangement, vocals, and hook are all beyond reproach.
The same could be said most of the whole album. Mature and stunningly stylish, "A Love Supreme" proved Chante Moore to be a most significant figure in contemporary R&B.
An expressive and versatile vocalist, Carl Anderson worked in theatrical productions and recorded soul, pop, rock, and fusion dates. He was born in Lynchburg, VA, and moved to Washington in 1969. Anderson sang with the rock band Second Eagle before relocating to Los Angeles in the early '70s and joining Motown in 1971.
While working with Stevie Wonder on some songs that were never issued, Anderson began acting. He was in both the film and stage productions of Jesus Christ Superstar during the early and mid-'70s, and also made appearances in several L.A. clubs. CBS talent scout Larkin Arnold signed Anderson to his label in 1980, and Richard Rudolph produced his Columbia debut, Absence Without Love, in 1982. It didn't attract much attention, but the second LP, On & On, included the single "Magic" and duet "It's the Love" with Vanesse Thomas, which did well internationally.
He cut two more LPs for the label, and the 1986 release Carl Anderson earned him his lone pop hit, the duet "Friends and Lovers" with soap star Gloria Loring that made it to the number two spot. Anderson recorded with Nancy Wilson and Weather Report in 1987; his duet with Wilson, "Forbidden Lover," won critical praise. He recorded An Act of Love for Polydor in 1988, and Pieces of a Heart and Fantasy Hotel for GRP in 1990 and 1992, respectively. His acting career continued as well, with appearances in the television programs Hill Street Blues and Hotel and the film The Color Purple. Anderson passed away on February 23, 2004 after a battle with leukemia. ~ Ron Wynn, All Music GuideEven though Brian Culbertson might be categorized as jazz lite, his music has enough "oomph" to keep you interested. The talented composer/arranger/keyboardist/trombonist's music has maturity that is, at times, beyond his years, and Culbertson credits his dad with helping him develop an ear for the type of music he makes. His father, Jim Culbertson, a respected high school jazz band director and trumpeter, cultivated a love of sanguine sounds for a young Brian, who eagerly listened to anything his dad listened to. Their Decatur, IL, home would be alive with the recorded sounds of Maynard Ferguson, Buddy Rich, the Brecker Brothers, and David Sanborn. Growing up, Culbertson also listened to '70s R&B/pop/funk bands like Blood, Sweat & Tears, Tower of Power, and Earth, Wind & Fire. Culbertson began his musical training at the age of eight with piano lessons; at nine he moved to drums, at ten trombone, and at 12 bass. Bored with classical recital pieces, he began composing in junior high. By his freshman year in high school, he was experimenting with the then-new Yamaha DX-7 synthesizer and an old four-track recorder in the basement of his parents' home. His dedication earned him six individual and five group Down Beat student awards.
During his high-school years, he started getting into MIDI sequencing and synthesizers. He couldn't find players who were able to play his songs on the level he wanted as most of his peers were into heavy metal. So Culbertson, who cites pop producer/songwriter David Foster (Earth, Wind & Fire's "After the Love Is Gone") as one of his strongest influences, learned how to play all the parts himself. After graduation, Culbertson headed to Chicago to begin studies in the music program at DePaul University. On campus, he began to run into high-level musicians and started playing in a band. A family friend helped Culbertson get a deal with Mesa/Blue Moon in 1994. In the bedroom of the apartment he shared with three college buddies, Culbertson single-handedly recorded his debut album, Long Night Out. The album spent ten consecutive weeks in the Top Five of the adult contemporary charts. On his follow-up album, Modern Life, Culbertson eschewed the one-man band approach in favor of a live band made up of some of the best musicians in Chicago, plus stellar saxophonist Gerald Albright. He's since put out several other albums, including After Hours (1995), Secrets (1997), and Somethin' Bout Love (1999). Culbertson's productions include albums by Bob Mamet and Steve Cole. Having gotten into composing advertising jingles, Culbertson has set his sights on soundtracks. In 2001 the pianist (who also could play the trombone, trumpet, and percussion as well) released Nice & Slow, followed by Come on Up in 2003. Two years later he issued It's on Tonight, and in 2006 Soulful Christmas, a collection of holiday favorites as well as an original. ~ Ed Hogan, All Music GuideComment
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