Bob & Earl had already recorded under a myriad of pseudonyms during their careers before they were a duo; both "Bob"s (the first was Bobby Byrd, aka Bobby Day, and his replacement was Bobby Relf) and "Earl" (Earl Nelson) were key players in L.A.'s doo wop and R&B vocal scene in the mid-to-late '50s. Today, Bob & Earl are best remembered for their minor-key rumbler "Harlem Shuffle," which provided the listener with instructional R&B dance moves for an accompanying dance also called the Harlem Shuffle. Their vocal interplay presaged Stax Records' Sam & Dave. When "Harlem Shuffle" was originally released, it climbed into the lower rungs of the American Top Forty (number 36 Cashbox/number 44 Billboard), but the song achieved its biggest chart success when it was re-released in 1969, becoming a Top Ten U.K. hit.

Harlem Shuffle B&E 45

Bobby Byrd (b. July 1, 1932, in Fort Worth, TX) was the first "Bob," although he is better known today for writing three early rock & roll classics between 1957 and 1958. He had been one of the founders of the Hollywood Flames in 1950, a prolific group -- along with the Robins, they were one of the grandfather doo wop groups in L.A. -- who waxed singles for Recorded in Hollywood, Specialty, Lucky, Swingtime, Money, and other labels before the group finally had their first major hit, "Buzz, Buzz, Buzz," a number 18 pop hit for Ebb Records in 1958. By 1957, however, Byrd (under his new name, Bobby Day) had cut the original version of his self-penned "Little Bitty Pretty One" for Class Records. When a nearly identical cover version by Thurston Harris (featuring the Sharps) beat Byrd's original to the punch and turned out to be a huge hit -- it was Harris' one and only Top Ten R&B and pop hit for Aladdin -- Byrd switched gears and started a solo career, using the name Bobby Day. One theory about where the new last name came from is that Class Records' "Googie" Rene (owner Leon Rene's son, and the label's A&R director and producer) suggested it. Regardless of how he got the new moniker, Day bounced back with a hit of his own, "Rockin' Robin," which topped the R&B charts in 1958. Day waxed a few more hits for Class, including "That's All I Want" and "The Bluebird, the Buzzard and the Oriole" in 1959.

It was during this time that Earl Nelson formed the first incarnation of Bob & Earl. Nelson (b. September 8, 1928, in Lake Charles, LA) had also been an original member of the Hollywood Flames; that's him singing lead on "Buzz, Buzz, Buzz." By 1960, however, after a stint on Atco, the Flames eventually ended up on Edsel, at which point Nelson and Day ventured off to form Bob & Earl on their own. Day left Bob & Earl before they produced any hits, however, and Nelson soon re-configured the group with a second "Bob," Bobby Relf. Relf had already led several L.A.-based acts in his career, including the Laurels and the Upfronts (featuring Barry White), and was also a replacement member of the Hollywood Flamesafter Byrd had left to join up with Nelson. Relf had also called himself "Valentino" for his short-lived group Valentino & the Lovers, an early-'60s group formed with the vocalists who had auditioned but had not been chosen to be in the lineup of Little Caesar and the Romans. Incidentally, White had also been a member of Valentino & the Lovers, singing bass and doubling on piano. The duo recorded several singles for various L.A.-based labels, but their lone hit was "Harlem Shuffle," a dance number punctuated by trumpet blasts and echo-laden percussion. It was arranged by a young Barry White, who played piano. Produced by Fred Smith (a talented R&B songwriter who had previously written hits with partner Cliff Goldsmith and produced the Olympics among others), "Harlem Shuffle" was originally released in the U.S. on the Marc label in 1963. It climbed into the low end of the American Top Forty in 1964 before slipping off the charts.

However, the duo failed to follow up with any additional hits and soon were splitting for solo careers. Helson began recording solo tracks under a bunch of aliases, including Jay Dee, Earl Cosby, and Chip Nelson, but his biggest success was as Jackie Lee (Jackie was Earl's wife's name and Lee his own middle name), for another popular R&B dance cut in 1965, "The Duck," for the Mirwood label. A year after "Harlem Shuffle" slid off the charts, Nelson was touring the U.S. (with Barry White on drums). Relf waxed singles under the names Bobby Garrett and Booby Valentino. "Harlem Shuffle" was re-released in 1969, and became a Top Ten U.K. hit (number seven pop). Since its 1963 debut, the song has seen numerous cover versions. Original "Bob" Bobby Byrd passed away on July 15, 1990.

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Comment by KnightD12 on January 7, 2009 at 2:17am
I always loved the song, but never knew anything about the duo. Thanks edie.
Comment by Edie Antoinette on July 1, 2008 at 12:07am
Yep we had so much fun with simple things as children. I remember playing jacks and hoola hoopin and rollin on my tummy on top of a beach ball....so much fun! Thanks for your comment gmack.
Comment by gmack on June 30, 2008 at 10:43pm
II love the top picture also brings back memories of the day we would make our own skateboard. You took a skate apart fine you a 2by4 and a wooden milk crate nail them together and off you went. Ahhhhhh
Comment by Edie Antoinette on April 26, 2008 at 6:24pm
Yes..you got it right. You would throw the rock in the square and skip around it trying to stay inside the square. It was fun.
Comment by Edie Antoinette on April 24, 2008 at 6:47am
You make me wanna play it again..smile.
Comment by Edie Antoinette on April 23, 2008 at 11:44pm
I say the one on the right...that's the one I remember..and I used to play it too!
Comment by Edie Antoinette on April 2, 2008 at 10:54pm
I love this song Sole. It reminds me so much of my childhood. Those little girls at the top--that was us. We would be having SOOO much fun, jumping double-dutch and gigglin.

Crooklyn tells the story quite well. Thanks Suggah!
Comment by Shelley "SoleMann" King on April 2, 2008 at 10:07pm
Now this is tight...I have never heard of this song or Bob and Earl...Those are some great pics too...SMILE
Comment by Edie Antoinette on April 2, 2008 at 8:54pm
I just LOVE that top pic. It reminds me of everything good about childhood..sigh

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The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).

The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. If, by chance, you know of a way to get in touch with Frankie Beverly or his management, please drop me an e-mail. It would be absolutely great to do an interview with him about his pre-Maze work. He's still playing out, most recently doing a New Year's Eve show in Atlanta.
:: Funkinsoulman ::

Power...Through Simplicity ♪♫♪

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