Milwaukee’s Evan Christian is driven to become one of the finest flamenco guitar players in the world. And for Christian, practice makes perfect.
He began his musical rendezvous as an upright bass player in fourth grade. His skill evolved into a natural obsession. His burning passion led him to self-taught lessons of the bass, electric and acoustic guitar. Flamenco music spoke to him most intuitively.
"(Flamenco is) the highest level of an acoustic guitar player, I think. You’re using all 10 of your fingers at the same time," says Christian.
He has been performing and producing music for the past 10 years, touring the Midwest with his group, the Evan Christian Quartet. Last summer, he toured internationally with Milwaukee’s own R&B sensation Cincere, entertaining the armed forces in the Middle East and Mediterranean.
In 2004, he debuted with "Fuego," a CD taking listeners on a sensual journey of acoustic flamenco. He recently completed his second CD, "The Mosaic," which is more experimental and eclectic than "Fuego," and is working on his third. He plans to relocate and promote both CDs in New York and seek a record deal with national release. "A deal is just distribution," he says. "It’s a big part of it, but I’m not letting the fact that I don’t have one right now stop me."
Two years ago, Christian decided to take his music abroad and study flamenco in Spain. The trip took him on a journey of personal and artistic growth. With nothing but his guitar on his back and "Fuego" CDs in his bag, he voyaged overseas and immersed himself into the world of flamenco music. Although his original plan to attend school didn’t happen, he began an unofficial apprenticeship with local guitarists and masters of flamenco. During his eight months in Madrid, he proved himself as an artist, built a strong fan base, gained the confidence of performing solo and fraternized with some of the greatest flamenco players in Spain.
Christian’s eye-opening experiences during his study abroad in Spain and international tours with Cincere only reinforced his beliefs about the importance of practice. He practices three to five hours a day, every day, and when he’s not practicing or writing music, he’s performing.
"You can’t do anything on stage that you can’t do in your room," Christian says. "And the best ones are the ones that practice the most, and invest the most time."
Kenya C. Evans
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