Now yall know That Clarence Williams III was the shi..... Never missed a show...with that skinny ass Peggy Lipton...Never understood what Q wanted with dat...

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I put Clarence right up there with Hawthorne James in the spooky looking department...ROFLMBO
Clarence is an acting fool...Especially when it comes to being psychotic...
True dat...he was something in Purple Rain...

He really gets into his roles. Intense. I just loved him in Hoodlum..at the end he was like...

...."I'm goin home and get me some sleep." Powerful man!

Why yall didn't tell me? ...I meant Hoodlum not Harlem!!! LOL
I must agree, he does play psychotic very well...LOL
Sole, I saw him in Tales from the Hood, too...He was something else in it...lol
I can't help it ya'll....ROFLMBO

For all those who haven't seen this...this is a sceen from "Suga Hill" ...pure drama!!!!
couldn't get the embeded code but this is worth following the link...just watch the first 4min 10sec...

http://www.youtube.com/watch?v=Q-8WXssgGxg

If you have seen it you know what i mean....
LOL...I have this movie in my collection and he cracks me up on that too
I was trying to look like Clarence...ROFLMBOOOOOOO

Great cover...you look just like him man!!!(LOL) Just need a FRO! (LOL)
Here's Clarence Williams II-Clarence's grandfather, who was a jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. The apple don't fall too far from the tree.

Clarence Williams (October 8, 1898 -- November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher.
Williams was born in Plaquemine, Louisiana, ran away from home at age 12 to join Billy Kersand's Traveling Minstrel Show, then moved to New Orleans. At first Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s he was a well regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good business man and worked arranging and managing entertainment at the local African-American vaudeville theater as well as various saloons and dance halls around Rampart Street, and clubs and houses in Storyville.

Williams started a music publishing business with violinist/bandleader Armand J. Piron 1915, which by the 1920s was the leading African-American owned music publisher in the country. He toured briefly with W.C. Handy, set up a publishing office in Chicago, then settled in New York in the early 1920s. In 1921, he married blues singer and stage actress Eva Taylor with whom he would frequently perform. He supervised African-American recordings (Race Series) for New York offices of Okeh phonograph company in the 1920s; He recruited many of the artists who performed on that label. He also recorded extensively, leading studio bands frequently for OKeh, Columbia and occasionally other record labels. He was the recording director for the short-lived QRS Records label in 1928. Most of his recordings were songs from his publishing house, which explains why he recorded tunes like "Baby, Won't You Please Come Home", "Close Fit Blues" and "Papa De-Da-Da" numerous times[1].

He mostly used "Clarence Williams' Jazz Kings" for his hot orchestra sides and "Clarence Williams' Washboard Five" for his washboard sides. He also produced and participated in early recordings by Louis Armstrong, Sidney Bechet, Bessie Smith and many others. The legendary King Oliver played cornet on a number of Williams' late 1920s recordings.

In 1933, he signed to the Vocalion label and recorded quite a number of popular recordings, mostly featuring washboard percussion, through 1935.

In 1943 Williams sold his extensive back-catalogue of tunes to Decca Records for $50,000 and retired, but then bought a bargain used goods store which he ran to keep himself busy. Williams died in Queens, New York City in 1965 and was interred in Saint Charles Cemetery in Farmingdale, Long Island, New York. On her passing in 1977, his wife was interred next to him. Their grandson is Clarence Williams III.

Clarence Williams - I'll be Glad When You're Dead, You Rascal You (1931)
You my woman! Damn!!!!

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Quincy Jones is thoroughly entwined in the musical background of my young adulthood. A genius of unique quality. I have been posting blogs and music throughout the years and decided to embark on the arduous but satisfying task of gathering some of it to remember the excellent legacy that he left.
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