Youtube is deleting videos like mad :(

So what is that supposed to make us do...buy the movies? What are your thoughts?
What's really happening??

Views: 24

Reply to This

Replies to This Discussion

YouTube Copyright System Gone Mad, EFF Prepares to Sue
Written by Marshall Kirkpatrick

YouTube and Warner Brothers have broken a little girl's heart by deleting a video of her singing the copyrighted song "Winter Wonderland," and the Electronic Frontier Foundation isn't going to take it anymore.


The populist legal organization made a post to its blog today arguing that copyright holders became overzealous with their use of YouTube's ContentID tool in January and flagged for deletion many videos that the EFF believes constitute Fair Use. The post puts out a call for people who've lost their content and want to take legal action.


Using YouTube's new automated copright detection technology, Warner Brothers detected last month that 15 year old Juliet Weybret had posted a video of herself playing the piano and singing the 1934 song Winter Wonderland. This unrepentant little criminal might have thought that such a widely covered tune had entered the public domain, 75 years after it was recorded, but Juliet was clearly unfamiliar with legislation like the Sony Bono Copyright Extension Act, which extended copyright protection to 95 years or more after publication date.


The Electronic Frontier Foundation is not happy with the situation. About YouTube's Copyright ID technology, the EFF wrote today:


These systems are still primitive and unable to distinguish a transformative remix from copyright infringement. So unless they leave lots of breathing room for remixed content, these filters end up sideswiping lots of fair uses. And that's exactly what has happened these past few weeks. And while today it's Warner Music, as more copyright owners start using the Content ID tool, it'll only get worse. Soon it may be off limits to remix anything with snippets of our shared mass media culture -- music, TV, movies, jingles, commercials. That would be a sad irony -- copyright being used to stifle an exciting new wellspring of creativity, rather than encourage it.

It's clear from the Warner Music experience that YouTube's Content ID tool fails to separate the infringements from the arguable fair uses. And while YouTube offers users the option to dispute a removal (if it's an automated Content ID removal) or send a formal DMCA counter-notice (if it's an official DMCA takedown), many YouTube users, lacking legal help, are afraid to wave a red flag in front of Warner Music's lawyers. That's a toxic combination for amateur video creators on YouTube.


What does the EFF intend to do about it? The organization has put out a call to people who have had videos taken off of YouTube at the behest of Warner and whose videos were both noncommercial and substantially original. The EFF says it will help serve a counter notice and offer legal protection to as many people as it can. "We can't promise to take every case," they say, "but neither will we stand by and watch semi-automated takedowns trample fair use."


Can the EFF change the game on YouTube? Given the organization's healthy list of previous legal victories, we think it will be a good fight at the very least.

Knowing what happened on other music sites, youtube caving in to the pressure, i better log in and see what they done took of mine....LOL

RSS

Remembering Q

E.FM Radio Spotlight

Quincy Jones is thoroughly entwined in the musical background of my young adulthood. A genius of unique quality. I have been posting blogs and music throughout the years and decided to embark on the arduous but satisfying task of gathering some of it to remember the excellent legacy that he left.
Read More

E.FM Radio Spotlight





The history of the Butlers/Raw Soul is dense, but for all of us music nerds, that's normal. It is not totally clear what year the Butlers actually formed but they released their first single in 1963 on Liberty Records. That single was "She Tried To Kiss Me" and another single followed on Guyden entitled "Lovable Girl." After the Guyden single the Butlers took a break not recording another record until the single "Laugh, Laugh, Laugh" was released on the Phila label in 1966. The group also backed Charles Earland and Jean Wells on one Phila single ("I Know She Loves Me"). 


As you might be noticing, the Butlers were doing a fair amount of recording but not achieving much success. The group's recordings sold regionally but never had the promotion to make an impact on the national scene. After the single with Phila, the Butlers moved to the Fairmount label (part of the Cameo-Parkway family) and released a handful of singles, some being reissued singles of the past. The Butlers were with Fairmount for 1966-67 and then moved to Sassy Records. Sassy released the group's greatest single (in my opinion) "Love (Your Pain Goes Deep)" b/w "If That's What You Wanted." A copy of that 45 sold for just under $500 last summer on eBay. Even though that isn't that much in the world of record collecting--it's still a hefty sum. The Butlers released another single on Sassy ("She's Gone" b/w "Love Is Good") that appears to be even 
harder to come by then the "Love (Your Pain Goes Deep)" single.

 

The true history become a bit blurred here as the AMG biography states that the Butlers last record was released on C.R.S. in 1974 (". However, between 1971 and that single, Frankie Beverly formed a group called Raw Soul and released a number of singles. Some of the songs recorded by Beverly during this period are "While I'm Alone," "Open Up Your Heart," (both on the Gregor label) and "Color Blind." "Color Blind" was released by the Eldorado label and rerecorded by Maze. Beverly's big break came when Marvin Gaye asked Raw Soul to back him on a tour. Gaye helped Beverly/Raw Soul get a contract at Capitol. Beverly decided to take the group in a different direction, a name change occurred, and Maze was created. 

The above isn't the most complete history of Beverly but hopefully someone will know a way to get in touch with the man or his management because a comprehensive pre-Maze history needs to be done on Frankie Beverly (his real name is Howard, by the way). Below you'll find every Frankie Beverly (pre-Maze) song available to me right now ("Color Blind" will be up soon). 

If you have a song that is not included below, shoot it over to funkinsoulman (at) yahoo.com and it will go up in the next Frankie Beverly post (later this week--highlighting Maze). Also, if you have any more information please share your knowledge. The Butlers material has been comp-ed sporadically (usually imports) but the entire Maze catalog has been reissued and is available. 

Enjoy.  "She Kissed Me" (Fairmount, 1966 or 1967) 
 
 "I Want To Feel I'm Wanted" (not sure which label or year) "Laugh, Laugh, Laugh" (Phila, 1966) "Because Of My Heart" (Fairmount, 1966 or 1967)
   
 "Love (Your Pain Goes Deep)" (Sassy, 1967)
   
 "If That's What You Wanted" (Sassy, 1967)
 



Frankie Beverly is one of those cats that has lasting power. He started in the music business doing a tour with doo wop group the Silhouettes and then formed his own group called the Blenders. The Blenders never recorded a single, Beverly wouldn't appear on wax until forming the Butlers a few years later. Along with Beverly, the Butlers included Jack "Sonny" Nicholson, Joe Collins, John Fitch, and Talmadge Conway.

Beverly would later enjoy great success fronting Maze and Conway would become a
well-known penning Double Exposure's
"Ten Percent" and the Intruders' "Memories Are Here To Stay." 
 While Maze is a phenomenal group, Beverly's work before that group will always stand out as his best (imo).
The Butlers produced tunes that most Northern Soul fans would kill for and Raw Soul gave the funksters something to pursue. The Butlers recorded their first single in 1960 titled "Loveable Girl". Left to right John Fitch, T Conway, Frankie Beverly, Sonny Nicholson and Joe Collins. 

Frankie Beverly12/6/46 - 9/10/24

Power...Through Simplicity ♪♫♪

Members

About

© 2025   Created by Edie Antoinette.   Powered by

Badges  |  Report an Issue  |  Terms of Service